HAMLET

PRINCE OF DENMARK.


By William Shakespeare


Dramatis Personae


    HAMLET, Prince of Denmark.

    Claudius, KING of Denmark, Hamlet's Uncle.
    Gertrude, QUEEN of Denmark, and Mother to Hamlet.
    HORATIO, Friend to Hamlet.
    GHOST of Hamlet's Father, the former King of Denmark.

    POLONIUS, Lord Chamberlain.
    LAERTES, Son to Polonius.
    OPHELIA, Daughter to Polonius.
    REYNALDO, Servant to Polonius.

    MARCELLUS,        }
    BARNARDO,        } Soldiers.
    FRANCISCO,        }

    VOLTEMAND,        }
    CORNELIUS,        } Danish Ambassadors to Norway.

    ROSENCRANTZ,        }
    GUILDENSTERN,    } Former Schoolfellows of Hamlet.

    FORTINBRAS, Prince of Norway.
    A CAPTAIN in the Norwegian Army.

    OSRIC,            }
    A GENTLEMAN,        } Courtiers.

    A PRIEST.
    A SAILOR.
    A MESSENGER.

    1st CLOWN, a Gravedigger.
    2nd CLOWN, his Companion.

    ENGLISH AMBASSADORS.

    Players:     PROLOGUE.
                PLAYER KING.
                PLAYER QUEEN.
                LUCIANUS.


Lords, Ladies, Soldiers, Sailors, Messengers, and Attendants.



Scene: Elsinore.


+++ +++ +++ +++ +++ +++



ACT 1.

Scene 1. Elsinore. A Platform before the Castle.

FRANCISCO at his post. Enter BARNARDO.

Barnardo    Who's there?

Francisco    Nay, answer me. Stand and unfold yourself.

Barnardo    Long live the king!

Francisco    Barnardo?

Barnardo    He.

Francisco    You come most carefully upon your hour.

Barnardo    'Tis now struck twelve; get thee to bed, Francisco.

Francisco    For this relief much thanks; 'tis bitter cold,
    And I am sick at heart.

Barnardo    Have you had quiet guard?

Francisco    Not a mouse stirring.

Barnardo    Well, good night.
    If you do meet Horatio and Marcellus,
    The rivals of my watch, bid them make haste.

Francisco    I think I hear them. Stand ho! Who is there?

Enter HORATIO and MARCELLUS.

Horatio    Friends to this ground.

Marcellus                            And liegemen to the Dane.

Francisco    Give you good night.

Marcellus    O, farewell, honest soldier. Who hath relieved you?

Francisco    Barnardo hath my place. Give you good night.
[Exit.
Marcellus    Holla, Barnardo!

Barnardo    Say, what, is Horatio there?

Horatio    A piece of him.

Barnardo    Welcome Horatio. Welcome good Marcellus.

Horatio    What, has this thing appeared again tonight?

Barnardo    I have seen nothing.

Marcellus    Horatio says 'tis but our fantasy,
    And will not let belief take hold of him,
    Touching this dreaded sight twice seen of us.
    Therefore I have entreated him along
    With us to watch the minutes of this night,
    That if again this apparition come,
    He may approve our eyes and speak to it.

Horatio    Tush, tush, 'twill not appear.

Barnardo                                        Sit down a while,
    And let us once again assail your ears,
    That are so fortified against our story,
    What we have two nights seen.

Horatio                                    Well, sit we down,
    And let us hear Barnardo speak of this.

Barnardo    Last night of all,
    When yond same star that's westward from the pole
    Had made his course t' illume that part of heaven
    Where now it burns, Marcellus and myself,
    The bell then beating one - 

Enter GHOST.

Marcellus    Peace, break thee off. Look where it comes again!

Barnardo    In the same figure like the king that's dead.

Marcellus    Thou art a scholar, speak to it, Horatio.

Barnardo    Looks a' not like the king? Mark it, Horatio.

Horatio    Most like. It harrows me with fear and wonder.

Barnardo    It would be spoke to.

Marcellus                            Question it, Horatio.

Horatio    What art thou that usurp'st this time of night,
    Together with that fair and warlike form
    In which the majesty of buried Denmark
    Did sometimes march? By heaven, I charge thee speak!

Marcellus    It is offended.

Barnardo                    See, it stalks away.

Horatio    Stay, speak, speak! I charge thee speak!
[Exit GHOST.
Marcellus    'Tis gone, and will not answer.

Barnardo    How now, Horatio? You tremble and look pale.
    Is not this something more than fantasy?
    What think you on't?

Horatio    Before my God, I might not this believe
    Without the sensible and true avouch
    Of mine own eyes.

Marcellus                        Is it not like the king?

Horatio    As thou art to thyself.
    Such was the very armour he had on
    When he the ambitious Norway combated;
    So frowned he once when in an angry parle
    He smote the sledded Polacks on the ice.
    'Tis strange.

Marcellus    Thus twice before, and jump at this dead hour,
    With martial stalk hath he gone by our watch.

Horatio    In what particular thought to work I know not,
    But, in the gross and scope of my opinion,
    This bodes some strange eruption to our state.

Marcellus    Good now, sit down, and tell me, he that knows,
    Why this same strict and most observant watch
    So nightly toils the subject of the land,
    And why such daily cast of brazen cannon,
    And foreign mart for implements of war,
    Why such impress of shipwrights, whose sore task
    Does not divide the Sunday from the week;
    What might be toward that this sweaty haste
    Doth make the night joint-labourer with the day:
    Who is't that can inform me?

Horatio                                        That can I;
    At least, the whisper goes so: our last king,
    Whose image even but now appeared to us,
    Was, as you know, by Fortinbras of Norway,
    Thereto pricked on by a most emulate pride,
    Dared to the combat; in which our valiant Hamlet - 
    For so this side of our known world esteemed him - 
    Did slay this Fortinbras, who, by a sealed compact
    Well ratified by law and heraldry,
    Did forfeit with his life all those his lands
    Which he stood seized of, to the conqueror;
    Against the which a moiety competent
    Was gaged by our king, which had returned
    To the inheritance of Fortinbras,
    Had he been vanquisher; as, by the same cov'nant
    And carriage of the article designed,
    His fell to Hamlet. Now, sir, young Fortinbras,
    Of unimproved metal hot and full,
    Hath, in the skirts of Norway here and there,
    Sharked up a list of lawless resolutes,
    For food and diet, to some enterprise
    That hath a stomach in't, which is no other - 
    As it doth well appear unto our state - 
    But to recover of us, by strong hand
    And terms compulsatory, those foresaid lands
    So by his father lost; and this, I take it,
    Is the main motive of our preparations,
    The source of this our watch, and the chief head
    Of this posthaste and rummage in the land.

Barnardo    I think it be no other but e'en so.
    Well may it sort that this portentous figure
    Comes armed through our watch, so like the king
    That was and is the question of these wars.

Horatio    A mote it is to trouble the mind's eye.
    In the most high and palmy state of Rome,
    A little ere the mightiest Julius fell,
    The graves stood tenantless and the sheeted dead
    Did squeak and gibber in the Roman streets;
    As stars with trains of fire and dews of blood,
    Disasters in the sun; and the moist star,
    Upon whose influence Neptune's empire stands,
    Was sick almost to doomsday with eclipse;
    And even the like precurse of feared events,
    As harbingers preceding still the fates
    And prologue to the omen coming on,
    Have heaven and earth together demonstrated
    Unto our climatures and countrymen.

Re-enter GHOST.

    But soft, behold! Lo where it comes again!
    I'll cross it though it blast me. Stay, illusion.
[GHOST spreads its arms.

    If thou hast any sound or use of voice,
    Speak to me.
    If there be any good thing to be done
    That may to thee do ease, and grace to me,
    Speak to me.
    If thou art privy to thy country's fate - 
    Which happily foreknowing may avoid - 
    O, speak.
    Or if thou hast uphoarded in thy life
    Extorted treasure in the womb of earth,
    For which, they say, your spirits oft walk in death,
    Speak of it, stay and speak!
[The cock crows.

                                        Stop it, Marcellus.

Marcellus    Shall I strike it with my partisan?

Horatio    Do, if it will not stand.

Barnardo                            'Tis here!

Horatio                                        'Tis here!

Marcellus    'Tis gone!
[Exit GHOST.
    We do it wrong, being so majestical,
    To offer it the show of violence;
    For it is as the air, invulnerable,
    And our vain blows malicious mockery.

Barnardo    It was about to speak when the cock crew.

Horatio    And then it started like a guilty thing
    Upon a fearful summons. I have heard
    The cock, that is the trumpet to the morn,
    Doth with his lofty and shrill-sounding throat
    Awake the god of day, and at his warning,
    Whether in sea or fire, in earth or air,
    Th' extravagant and erring spirit hies
    To his confine; and of the truth herein
    This present object made probation.

Marcellus    It faded on the crowing of the cock.
    Some say that ever 'gainst that season comes
    Wherein our Saviour's birth is celebrated,
    The bird of dawning singeth all night long,
    And then, they say, no spirit dare stir abroad,
    The nights are wholesome, then no planets strike,
    No fairy takes, nor witch hath power to charm,
    So hallowed and so gracious is that time.

Horatio    So have I heard, and do in part believe it.
    But look, the morn in russet mantle clad
    Walks o'er the dew of yon high eastward hill.
    Break we our watch up; and, by my advice,
    Let us impart what we have seen tonight
    Unto young Hamlet, for, upon my life,
    This spirit, dumb to us, will speak to him.
    Do you consent we shall acquaint him with it,
    As needful in our loves, fitting our duty?

Marcellus    Let's do't, I pray; and I this morning know
    Where we shall find him most convenient.
[Exeunt.

+ + + + + +

Scene 2. A Room of State in the Castle.

Flourish.
Enter Claudius KING of Denmark, Gertrude the QUEEN, HAMLET dressed in black, 
POLONIUS, LAERTES, OPHELIA, VOLTEMAND, CORNELIUS, and LORDS attending.

King    Though yet of Hamlet our dear brother's death
    The memory be green, and that it us befitted
    To bear our hearts in grief, and our whole kingdom
    To be contracted in one brow of woe;
    Yet so far hath discretion fought with nature
    That we with wisest sorrow think on him
    Together with remembrance of ourselves.
    Therefore our sometime sister, now our queen,
    Th' imperial jointress to this warlike state,
    Have we, as 'twere with a defeated joy,
    With one auspicious and one dropping eye,
    With mirth in funeral and with dirge in marriage,
    In equal scale weighing delight and dole,
    Taken to wife; nor have we herein barred
    Your better wisdoms, which have freely gone
    With this affair along. For all, our thanks.
    Now follows that you know young Fortinbras,
    Holding a weak supposal of our worth,
    Or thinking by our late dear brother's death
    Our state to be disjoint and out of frame,
    Co-leagued with the dream of his advantage,
    He hath not failed to pester us with message
    Importing the surrender of those lands
    Lost by his father, with all bands of law,
    To our most valiant brother. So much for him.
    Now for ourself, and for this time of meeting,
    Thus much the business is: we have here writ
    To Norway, uncle of young Fortinbras,
    Who, impotent and bed-rid, scarcely hears
    Of this his nephew's purpose, to suppress
    His further gait herein, in that the levies,
    The lists, and full proportions, are all made
    Out of his subject; and we here dispatch
    You, good Cornelius, and you, Voltemand,
    For bearers of this greeting to old Norway,
    Giving to you no further personal power
    To business with the king more than the scope
    Of these dilated articles allow.
    Farewell, and let your haste commend your duty.

Voltemand &
Cornelius    In that and all things will we show our duty.

King    We doubt it nothing; heartily farewell.
[Exeunt VOLTEMAND and CORNELIUS.

    And now, Laertes, what's the news with you?
    You told us of some suit. What is't, Laertes?
    You cannot speak of reason to the Dane
    And lose your voice. What wouldst thou beg, Laertes,
    That shall not be my offer, not thy asking?
    The head is not more native to the heart,
    The hand more instrumental to the mouth,
    Than is the throne of Denmark to thy father.
    What wouldst thou have, Laertes?

Laertes                                        My dread lord,
    Your leave and favour to return to France,
    From whence though willingly I came to Denmark
    To show my duty in your coronation,
    Yet now, I must confess, that duty done,
    My thoughts and wishes bend again toward France,
    And bow them to your gracious leave and pardon.

King    Have you your father's leave? What says Polonius?

Polonius    He hath, my lord, wrung from me my slow leave
    By laboursome petition, and at last
    Upon his will I sealed my hard consent.
    I do beseech you, give him leave to go.

King    Take thy fair hour, Laertes; time be thine,
    And thy best graces spend it at thy will!
    But now, my cousin Hamlet, and my son - 

Hamlet    [Aside.] A little more than kin, and less than kind.

King    How is it that the clouds still hang on you?

Hamlet    Not so, my lord. I am too much i'th' sun.

Queen    Good Hamlet, cast thy nighted colour off,
    And let thine eye look like a friend on Denmark.
    Do not for ever with thy vailed lids
    Seek for thy noble father in the dust.
    Thou know'st 'tis common: all that lives must die,
    Passing through nature to eternity.

Hamlet    Ay, madam, it is common.

Queen                                        If it be,
    Why seems it so particular with thee?

Hamlet    Seems, madam? Nay, it is, I know not `seems'.
    'Tis not alone my inky cloak, good mother,
    Nor customary suits of solemn black,
    Nor windy suspiration of forced breath,
    No, nor the fruitful river in the eye,
    Nor the dejected haviour of the visage,
    Together with all forms, moods, shows of grief,
    That can denote me truly. These indeed seem,
    For they are actions that a man might play;
    But I have that within which passeth show,
    These but the trappings and the suits of woe.

King    'Tis sweet and commendable in your nature, Hamlet,
    To give these mourning duties to your father;
    But you must know, your father lost a father,
    That father lost, lost his, and the survivor bound
    In filial obligation for some term
    To do obsequious sorrow. But to persever
    In obstinate condolement is a course
    Of impious stubbornness, 'tis unmanly grief,
    It shows a will most incorrect to heaven,
    A heart unfortified, a mind impatient,
    An understanding simple and unschooled;
    For what we know must be and is as common
    As any the most vulgar thing to sense,
    Why should we in our peevish opposition
    Take it to heart? Fie, 'tis a fault to heaven,
    A fault against the dead, a fault to nature,
    To reason most absurd, whose common theme
    Is death of fathers, and who still hath cried
    From the first corpse till he that died today,
    `This must be so.' We pray you, throw to earth
    This unprevailing woe, and think of us
    As of a father; for let the world take note
    You are the most immediate to our throne,
    And with no less nobility of love
    Than that which dearest father bears his son
    Do I impart toward you. For your intent
    In going back to school in Wittenberg,
    It is most retrograde to our desire,
    And we beseech you, bend you to remain
    Here in the cheer and comfort of our eye,
    Our chiefest courtier, cousin, and our son.

Queen    Let not thy mother lose her prayers, Hamlet.
    I pray thee, stay with us; go not to Wittenberg.

Hamlet    I shall in all my best obey you, madam.

King    Why, 'tis a loving and a fair reply:
    Be as ourself in Denmark. Madam, come;
    This gentle and unforced accord of Hamlet
    Sits smiling to my heart, in grace whereof,
    No jocund health that Denmark drinks today
    But the great cannon to the clouds shall tell,
    And the king's rouse the heavens shall bruit again,
    Re-speaking earthly thunder. Come away.
[Flourish. Exeunt all except HAMLET.

Hamlet    O that this too too solid flesh would melt,
    Thaw, and resolve itself into a dew,
    Or that the Everlasting had not fixed
    His canon 'gainst self-slaughter! O God, O God!
    How weary, stale, flat, and unprofitable
    Seem to me all the uses of this world!
    Fie on't, ah fie! 'Tis an unweeded garden
    That grows to seed; things rank and gross in nature
    Possess it merely. That it should come to this!
    But two months dead -nay, not so much, not two - 
    So excellent a king, that was to this
    Hyperion to a satyr, so loving to my mother
    That he might not beteem the winds of heaven
    Visit her face too roughly. Heaven and earth!
    Must I remember? Why, she should hang on him
    As if increase of appetite had grown
    By what it fed on, and yet within a month - 
    Let me not think on't. Frailty, thy name is woman!
    A little month, or ere those shoes were old
    With which she followed my poor father's body,
    Like Niobe, all tears; why she, even she - 
    O God, a beast that wants discourse of reason
    Would have mourned longer! -married with my uncle,
    My father's brother, but no more like my father
    Than I to Hercules. Within a month,
    Ere yet the salt of most unrighteous tears
    Had left the flushing in her galled eyes,
    She married. O most wicked speed, to post
    With such dexterity to incestuous sheets!
    It is not, nor it cannot come to good.
    But break, my heart, for I must hold my tongue.

Enter HORATIO, MARCELLUS, and BARNARDO.

Horatio    Hail to your lordship!

Hamlet                            I am glad to see you well.
    Horatio, or I do forget myself.

Horatio    The same, my lord, and your poor servant ever.

Hamlet    Sir, my good friend; I'll change that name with you.
    And what make you from Wittenberg, Horatio?
    Marcellus?

Marcellus    My good lord.

Hamlet    I am very glad to see you. [To BARNARDO.] Good even, sir.
    But what, in faith, make you from Wittenberg?

Horatio    A truant disposition, good my lord.

Hamlet    I would not hear your enemy say so,
    Nor shall you do mine ear that violence
    To make it truster of your own report
    Against yourself. I know you are no truant.
    But what is your affair in Elsinore?
    We'll teach you to drink deep ere you depart.

Horatio    My lord, I came to see your father's funeral.

Hamlet    I prithee do not mock me, fellow-student;
    I think it was to see my mother's wedding.

Horatio    Indeed, my lord, it followed hard upon.

Hamlet    Thrift, thrift, Horatio. The funeral baked meats
    Did coldly furnish forth the marriage tables.
    Would I had met my dearest foe in heaven
    Ere I had seen that day, Horatio.
    My father, methinks I see my father.

Horatio    Where, my lord?

Hamlet                        In my mind's eye, Horatio.

Horatio    I saw him once. He was a goodly king.

Hamlet    He was a man. Take him for all in all,
    I shall not look upon his like again.

Horatio    My lord, I think I saw him yesternight.

Hamlet    Saw? Who?

Horatio    My lord, the king your father.

Hamlet                                        The king my father!

Horatio    Season your admiration for a while
    With an attent ear, till I may deliver,
    Upon the witness of these gentlemen,
    This marvel to you.

Hamlet                        For God's love, let me hear.

Horatio    Two nights together had these gentlemen,
    Marcellus and Barnardo, on their watch,
    In the dead waste and middle of the night
    Been thus encountered. A figure like your father,
    Armed at points exactly, cap-a-pe,
    Appears before them, and with solemn march
    Goes slow and stately by them. Thrice he walked
    By their oppressed and fear-surprised eyes,
    Within his truncheon's length; whilst they, distilled
    Almost to jelly with the act of fear,
    Stand dumb and speak not to him. This to me
    In dreadful secrecy impart they did,
    And I with them the third night kept the watch;
    Where, as they had delivered, both in time,
    Form of the thing, each word made true and good,
    The apparition comes. I knew your father;
    These hands are not more like.

Hamlet                                        But where was this?

Marcellus    My lord, upon the platform where we watched.

Hamlet    Did you not speak to it?

Horatio                                    My lord, I did,
    But answer made it none; yet once methought
    It lifted up it head and did address
    Itself to motion, like as it would speak;
    But even then the morning cock crew loud,
    And at the sound it shrunk in haste away
    And vanished from our sight.

Hamlet                                        'Tis very strange.

Horatio    As I do live, my honoured lord, 'tis true,
    And we did think it writ down in our duty
    To let you know of it.

Hamlet    Indeed, indeed, sirs; but this troubles me.
    Hold you the watch tonight?

Barnardo &
Marcellus                                    We do, my lord.

Hamlet    Armed, say you?

Barnardo &
Marcellus                    Armed, my lord.

Hamlet                                        From top to toe?

Barnardo &
Marcellus    My lord, from head to foot.

Hamlet    Then saw you not his face.

Horatio    O yes, my lord; he wore his beaver up.

Hamlet    What looked he? Frowningly?

Horatio    A countenance more in sorrow than in anger.

Hamlet    Pale or red?

Horatio    Nay, very pale.

Hamlet                        And fixed his eyes upon you?

Horatio    Most constantly.

Hamlet                            I would I had been there.

Horatio    It would have much amazed you.

Hamlet    Very like, very like. Stayed it long?

Horatio    While one with moderate haste might tell a hundred.

Barnardo &
Marcellus    Longer, longer.

Horatio    Not when I saw't.

Hamlet    His beard was grizzled, no?

Horatio    It was as I have seen it in his life,
    A sable silvered.

Hamlet                        I will watch tonight;
    Perchance 'twill walk again.

Horatio                                        I warrant you it will.

Hamlet    If it assume my noble father's person,
    I'll speak to it though hell itself should gape
    And bid me hold my peace. I pray you all,
    If you have hitherto concealed this sight,
    Let it be tenable in your silence still,
    And whatsoever else shall hap tonight,
    Give it an understanding but no tongue.
    I will requite your loves. So, fare you well.
    Upon the platform 'twixt eleven and twelve
    I'll visit you.

All                    Our duty to your honour.

Hamlet    Your loves, as mine to you. Farewell.
[Exeunt all but HAMLET.

    My father's spirit in arms! All is not well.
    I doubt some foul play. Would the night were come.
    Till then sit still, my soul. Foul deeds will rise,
    Though all the earth o'erwhelm them, to men's eyes.
[Exit.

+ + + + + +

Scene 3. A Room in Polonius' House.

Enter LAERTES and OPHELIA.

Laertes    My necessaries are embarked. Farewell.
    And, sister, as the winds give benefit
    And convoy is assistant, do not sleep,
    But let me hear from you.

Ophelia                                Do you doubt that?

Laertes    For Hamlet, and the trifling of his favour,
    Hold it a fashion and a toy in blood,
    A violet in the youth of primy nature,
    Forward not permanent. sweet not lasting,
    The perfume and suppliance of a minute,
    No more.

Ophelia            No more but so?

Laertes                                Think it no more.
    For nature crescent does not grow alone
    In thews and bulks, but as this temple waxes
    The inward service of the mind and soul
    Grows wide withal. Perhaps he loves you now,
    And now no soil nor cautel doth besmirch
    The virtue of his will; but you must fear,
    His greatness weighed, his will is not his own,
    For he himself is subject to his birth;
    He may not, as unvalued persons do,
    Carve for himself, for on his choice depends
    The sanity and health of the whole state;
    And therefore must his choice be circumscribed
    Unto the voice and yielding of that body
    Whereof he is the head. Then if he says he loves you,
    It fits your wisdom so far to believe it
    As he in his particular act and place
    May give his saying deed; which is no further
    Than the main voice of Denmark goes withal.
    Then weigh what loss your honour may sustain,
    If with too credent ear you list his songs,
    Or lose your heart, or your chaste treasure open
    To his unmastered importunity.
    Fear it, Ophelia, fear it, my dear sister;
    And keep you in the rear of your affection,
    Out of the shot and danger of desire.
    The chariest maid is prodigal enough
    If she unmask her beauty to the moon.
    Virtue itself 'scapes not calumnious strokes;
    The canker galls the infants of the spring
    Too oft before their buttons be disclosed,
    And in the morn and liquid dew of youth
    Contagious blastments are most imminent.
    Be wary then; best safety lies in fear;
    Youth to itself rebels, though none else near.

Ophelia    I shall th' effect of this good lesson keep
    As watchman to my heart. But, good my brother,
    Do not, as some ungracious pastors do,
    Show me the steep and thorny way to heaven
    Whiles, like a puffed and reckless libertine,
    Himself the primrose path of dalliance treads
    And recks not his own rede.

Laertes                                        O, fear me not.
    I stay too long.

Enter POLONIUS.

                        But here my father comes.
    A double blessing is a double grace;
    Occasion smiles upon a second leave.

Polonius    Yet here, Laertes? Aboard, aboard, for shame!
    The wind sits in the shoulder of your sail,
    And you are stayed for. There, my blessing with thee,
    And these few precepts in thy memory

    Look thou character. Give thy thoughts no tongue,
    Nor any unproportioned thought his act.
    Be thou familiar but by no means vulgar.
    The friends thou hast, and their adoption tried,
    Grapple them to thy soul with hoops of steel,
    But do not dull thy palm with entertainment
    Of each new-hatched unfledged courage. Beware
    Of entrance to a quarrel, but, being in,
    Bear't that th' opposed may beware of thee.
    Give every man thine ear but few thy voice.
    Take each man's censure, but reserve thy judgement.
    Costly thy habit as thy purse can buy,
    But not expressed in fancy; rich, not gaudy,
    For the apparel oft proclaims the man,
    And they in France of the best rank and station
    Are of all most select and generous chief in that.
    Neither a borrower nor a lender be,
    For loan oft loses both itself and friend,
    And borrowing dulls the edge of husbandry.
    This above all -to thine own self be true,
    And it must follow, as the night the day,
    Thou canst not then be false to any man.
    Farewell; my blessing season this in thee!

Laertes    Most humbly do I take my leave, my lord.

Polonius    The time invites you. Go, your servants tend.

Laertes    Farewell, Ophelia, and remember well
    What I have said to you.

Ophelia                                'Tis in my memory locked,
    And you yourself shall keep the key of it.

Laertes    Farewell.
[Exit.
Polonius    What is't, Ophelia, he hath said to you?

Ophelia    So please you, something touching the Lord Hamlet.

Polonius    Marry, well bethought.
    'Tis told me he hath very oft of late
    Given private time to you, and you yourself
    Have of your audience been most free and bounteous.
    If it be so -as so 'tis put on me,
    And that in way of caution -I must tell you
    You do not understand yourself so clearly
    As it behoves my daughter, and your honour.
    What is between you? Give me up the truth.

Ophelia    He hath, my lord, of late made many tenders
    Of his affection to me.

Polonius    Affection! Pooh! -you speak like a green girl
    Unsifted in such perilous circumstance.
    Do you believe his `tenders' as you call them?

Ophelia    I do not know, my lord, what I should think.

Polonius    Marry, I'll teach you: think yourself a baby
    That you have ta'en these tenders for true pay,
    Which are not sterling. Tender yourself more dearly,
    Or -not to crack the wind of the poor phrase,
    Running it thus -you'll tender me a fool.

Ophelia    My lord, he hath importuned me with love
    In honourable fashion.

Polonius    Ay, fashion you may call it. Go to, go to.

Ophelia    And hath given countenance to his speech, my lord,
    With almost all the holy vows of heaven.

Polonius    Ay, springes to catch woodcocks. I do know,
    When the blood burns, how prodigal the soul
    Lends the tongue vows. These blazes, daughter,
    Giving more light than heat, extinct in both
    Even in their promise, as it is a-making,
    You must not take for fire. From this time
    Be something scanter of your maiden presence,
    Set your entreatments at a higher rate
    Than a command to parley. For Lord Hamlet,
    Believe so much in him, that he is young,
    And with a larger tether may he walk
    Than may be given you. In few, Ophelia,
    Do not believe his vows, for they are brokers,
    Not of that dye which their investments show,
    But mere implorators of unholy suits,
    Breathing like sanctified and pious bawds
    The better to beguile. This is for all:
    I would not, in plain terms, from this time forth
    Have you so slander any moment leisure
    As to give words or talk with the Lord Hamlet.
    Look to't, I charge you. Come your ways.

Ophelia    I shall obey, my lord.
[Exeunt.

+ + + + + +

Scene 4. The Platform.

Enter HAMLET, HORATIO, and MARCELLUS.

Hamlet    The air bites shrewdly, it is very cold.

Horatio    It is a nipping and an eager air.

Hamlet    What hour now?

Horatio                    I think it lacks of twelve.

Marcellus    No, it is struck.

Horatio    Indeed? I heard it not. It then draws near the season
    Wherein the spirit held his wont to walk.
[A flourish of trumpets, and two pieces go off.

    What does this mean, my lord?

Hamlet    The king doth wake tonight and takes his rouse,
    Keeps wassail, and the swagg'ring up-spring reels,
    And, as he drains his draughts of Rhenish down,
    The kettle-drum and trumpet thus bray out
    The triumph of his pledge.

Horatio                                    Is it a custom?

Hamlet    Ay, marry, is't,
    But to my mind, though I am native here
    And to the manner born, it is a custom
    More honoured in the breach than the observance.
    This heavy-headed revel east and west
    Makes us traduced, and taxed of other nations.
    They clepe us drunkards, and with swinish phrase
    Soil our addition; and indeed it takes
    From our achievements, though performed at height,
    The pith and marrow of our attribute.
    So, oft it chances in particular men
    That for some vicious mole of nature in them,
    As in their birth, wherein they are not guilty,
    Since nature cannot choose his origin, 
    By their o'ergrowth of some complexion,
    Oft breaking down the pales and forts of reason,
    Or by some habit that too much o'erleavens
    The form of plausive manners, that these men,
    Carrying, I say, the stamp of one defect,
    Being nature's livery or fortune's star,
    His virtues else, be they as pure as grace,
    As infinite as man may undergo,
    Shall in the general censure take corruption
    From that particular fault. The dram of evil
    Doth all the noble substance of a doubt
    To his own scandal.

Enter GHOST.

Horatio                            Look, my lord, it comes.

Hamlet    Angels and ministers of grace defend us!
    Be thou a spirit of health or goblin damned,
    Bring with thee airs from heaven or blasts from hell,
    Be thy intents wicked or charitable,
    Thou com'st in such a questionable shape
    That I will speak to thee. I'll call thee Hamlet,
    King, father, royal Dane. O, answer me!
    Let me not burst in ignorance, but tell
    Why thy canonized bones, hearsed in death,
    Have burst their cerements? Why the sepulchre,
    Wherein we saw thee quietly enurned,
    Hath oped his ponderous and marble jaws
    To cast thee up again? What may this mean,
    That thou, dead corpse, again in complete steel,
    Revisits thus the glimpses of the moon,
    Making night hideous, and we fools of nature
    So horridly to shake our disposition
    With thoughts beyond the reaches of our souls?
    Say, why is this? Wherefore? What should we do?
[GHOST beckons to HAMLET.

Horatio    It beckons you to go away with it,
    As if it some impartment did desire
    To you alone.

Marcellus                    Look with what courteous action
    It waves you to a more removed ground.
    But do not go with it.

Horatio                                    No, by no means.

Hamlet    It will not speak; then I will follow it.

Horatio    Do not, my lord.

Hamlet                        Why, what should be the fear?
    I do not set my life at a pin's fee,
    And for my soul, what can it do to that,
    Being a thing immortal as itself?
[GHOST beckons to HAMLET.
    It waves me forth again, I'll follow it.

Horatio    What if it tempt you toward the flood, my lord,
    Or to the dreadful summit of the cliff
    That beetles o'er his base into the sea,
    And there assume some other horrible form
    Which might deprive your sovereignty of reason,
    And draw you into madness? Think of it.
    The very place puts toys of desperation,
    Without more motive, into every brain
    That looks so many fathoms to the sea
    And hears it roar beneath.
[GHOST beckons to HAMLET.

Hamlet    It waves me still. [To the GHOST.] Go on, I'll follow thee.

Marcellus    You shall not go, my lord.

Hamlet                                    Hold off your hands!

Horatio    Be ruled, you shall not go.

Hamlet                                My fate cries out,
    And makes each petty arture in this body
    As hardy as the Nemean lion's nerve.
[GHOST beckons to HAMLET.
    Still am I called. Unhand me, gentlemen.
    By heaven, I'll make a ghost of him that lets me!
    I say, away. [To GHOST.] Go on, I'll follow thee.
[Exeunt GHOST and HAMLET.

Horatio    He waxes desperate with imagination.

Marcellus    Let's follow; 'tis not fit thus to obey him.

Horatio    Have after. To what issue will this come?

Marcellus    Something is rotten in the state of Denmark.

Horatio    Heaven will direct it.

Marcellus                                Nay, let's follow him.
[Exeunt.

+ + + + + +

Scene 5. Another Part of the Platform.

Enter GHOST and HAMLET.

Hamlet    Whither wilt thou lead me? Speak; I'll go no further.

Ghost    Mark me.

Hamlet                I will.

Ghost                            My hour is almost come
    When I to sulph'rous and tormenting flames
    Must render up myself.

Hamlet                                Alas, poor ghost!

Ghost    Pity me not, but lend thy serious hearing
    To what I shall unfold.

Hamlet                        Speak, I am bound to hear.

Ghost    So art thou to revenge, when thou shalt hear.

Hamlet    What?

Ghost    I am thy father's spirit,
    Doomed for a certain term to walk the night,
    And for the day confined to fast in fires,
    Till the foul crimes done in my days of nature
    Are burnt and purged away. But that I am forbid
    To tell the secrets of my prison-house
    I could a tale unfold whose lightest word
    Would harrow up thy soul, freeze thy young blood,
    Make thy two eyes like stars start from their spheres,
    Thy knotted and combined locks to part,
    And each particular hair to stand an end
    Like quills upon the fretful porcupine.
    But this eternal blazon must not be
    To ears of flesh and blood. List, list, O, list!
    If thou didst ever thy dear father love - 

Hamlet    O God!

Ghost    Revenge his foul and most unnatural murder.

Hamlet    Murder!

Ghost    Murder most foul, as in the best it is;
    But this most foul, strange, and unnatural.

Hamlet    Haste me to know't, that I with wings as swift
    As meditation or the thoughts of love
    May sweep to my revenge.

Ghost                                    I find thee apt;
    And duller shouldst thou be than the fat weed
    That roots itself in ease on Lethe wharf
    Wouldst thou not stir in this. Now, Hamlet, hear:
    'Tis given out that, sleeping in mine orchard
    A serpent stung me; so the whole ear of Denmark
    Is by a forged process of my death
    Rankly abused. But know, thou noble youth,
    The serpent that did sting thy father's life
    Now wears his crown.

Hamlet                            O my prophetic soul!
    Mine uncle?

Ghost    Ay, that incestuous, that adulterate beast,
    With witchcraft of his wit, with traitorous gifts - 
    O wicked wit and gifts that have the power
    So to seduce! -won to his shameful lust
    The will of my most seeming-virtuous queen.
    O Hamlet, what a falling off was there
    From me, whose love was of that dignity
    That it went hand in hand even with the vow
    I made to her in marriage, and to decline
    Upon a wretch whose natural gifts were poor
    To those of mine.
    But virtue, as it never will be moved,
    Though lewdness court it in a shape of heaven,
    So lust, though to a radiant angel linked,
    Will sate itself in a celestial bed
    And prey on garbage.
    But soft! -methinks I scent the morning air.
    Brief let me be. Sleeping within my orchard,
    My custom always in the afternoon,
    Upon my secure hour thy uncle stole
    With juice of cursed hebenon in a vial,
    And in the porches of mine ears did pour
    The leperous distilment, whose effect
    Holds such an enmity with blood of man
    That swift as quicksilver it courses through
    The natural gates and alleys of the body,
    And with a sudden vigour it doth posset
    And curd, like eager droppings into milk,
    The thin and wholesome blood. So did it mine,
    And a most instant tetter barked about,
    Most lazar-like, with vile and loathsome crust,
    All my smooth body.
    Thus was I, sleeping, by a brother's hand
    Of life, of crown, of queen, at once dispatched,
    Cut off even in the blossoms of my sin,
    Unhouseled, disappointed, unaneled,
    No reck'ning made, but sent to my account
    With all my imperfections on my head.
    O, horrible! O, horrible! Most horrible!
    If thou hast nature in thee, bear it not.
    Let not the royal bed of Denmark be
    A couch for luxury and damned incest.
    But, howsoever thou pursuest this act,
    Taint not thy mind, nor let thy soul contrive
    Against thy mother aught. Leave her to heaven,
    And to those thorns that in her bosom lodge
    To prick and sting her. Fare thee well at once.
    The glowworm shows the matin to be near,
    And 'gins to pale his uneffectual fire.
    Adieu, adieu, adieu! Remember me.
[Exit.
Hamlet    O all you host of heaven! O earth! What else?
    And shall I couple hell? O, fie! Hold, hold, my heart,
    And you, my sinews, grow not instant old,
    But bear me stiffly up. Remember thee?
    Ay, thou poor ghost, while memory holds a seat
    In this distracted globe. Remember thee?
    Yea, from the table of my memory
    I'll wipe away all trivial fond records,
    All saws of books, all forms, all pressures past,
    That youth and observation copied there,
    And thy commandment all alone shall live
    Within the book and volume of my brain,
    Unmixed with baser matter. Yes, by heaven!
    O most pernicious woman!
    O villain, villain, smiling, damned villain!
    My tables -meet it is I set it down
    That one may smile, and smile, and be a villain.
    At least I'm sure it may be so in Denmark.
[Writing.
    So, uncle, there you are. Now to my word;
    It is `Adieu, adieu, remember me.'
    I have sworn't.

Horatio    [Calling within.]    My lord, my lord.

Marcellus    [Calling within.]    Lord Hamlet.

Enter HORATIO and MARCELLUS.

Horatio    Heaven secure him.

Hamlet    So be it!

Marcellus    [Calling.] Illo, ho, ho, my lord.

Hamlet    Hillo, ho, ho, boy. Come, bird, come.

Marcellus    How is't, my noble lord?

Horatio    What news, my lord?

Hamlet    O, wonderful!

Horatio    Good my lord, tell it.

Hamlet                            No, you will reveal it.

Horatio    Not I, my lord, by heaven.

Marcellus                                        Nor I, my lord.

Hamlet    How say you, then; would heart of man once think it?
    But you'll be secret?

Horatio &
Marcellus                            Ay, by heaven, my lord.

Hamlet    There's never a villain dwelling in all Denmark
    But he's an arrant knave.

Horatio    There needs no ghost, my lord, come from the grave
    To tell us this.

Hamlet                        Why, right, you are i'th' right;
    And so, without more circumstance at all,
    I hold it fit that we shake hands and part,
    You as your business and desire shall point you - 
    For every man hath business and desire,
    Such as it is -and for mine own poor part,
    Look you, I'll go pray.

Horatio    These are but wild and whirling words, my lord.

Hamlet    I'm sorry they offend you, heartily;
    Yes, faith, heartily.

Horatio                            There's no offence, my lord.

Hamlet    Yes, by Saint Patrick, but there is, Horatio,
    And much offence too. Touching this vision here,
    It is an honest ghost, that let me tell you.
    For your desire to know what is between us,
    O'ermaster 't as you may. And now, good friends,
    As you are friends, scholars, and soldiers,
    Give me one poor request.

Horatio                                        What is't, my lord? We will.

Hamlet    Never make known what you have seen tonight.

Horatio &
Marcellus    My lord, we will not.

Hamlet    Nay, but swear't.

Horatio    In faith, my lord, not I.

Marcellus    Nor I, my lord, in faith.

Hamlet    Upon my sword.

Marcellus    We have sworn, my lord, already.

Hamlet    Indeed, upon my sword, indeed.

Ghost    [Cries under the stage.] Swear.

Hamlet    Ah, ha, boy, sayst thou so? Art thou there, truepenny?
    Come on, you hear this fellow in the cellarage;
    Consent to swear.

Horatio                        Propose the oath, my lord.

Hamlet    Never to speak of this that you have seen.
    Swear by my sword.

Ghost    Swear.
[They swear.
Hamlet    Hic et ubique? Then we'll shift our ground.
    Come hither, gentlemen,
    And lay your hands again upon my sword.
    Swear by my sword,
    Never to speak of this that you have heard.

Ghost    Swear by his sword.
[They swear.

Hamlet    Well said, old mole! Canst work i'th' earth so fast?
    A worthy pioneer! Once more remove, good friends.

Horatio    O day and night, but this is wondrous strange!

Hamlet    And therefore as a stranger give it welcome.
    There are more things in heaven and earth, Horatio,
    Than are dreamt of in your philosophy. But come,
    Here, as before, never, so help you mercy,
    How strange or odd soe'er I bear myself - 
    As I perchance hereafter shall think meet
    To put an antic disposition on - 
    That you, at such times seeing me, never shall,
    With arms encumbered thus, or this headshake,
    Or by pronouncing of some doubtful phrase
    As `Well, well, we know' or `We could, an if we would',
    Or `If we list to speak' or `There be, an if they might',
    Or such ambiguous giving out, to note
    That you know aught of me. This not to do,
    So grace and mercy at your most need help you, swear.

Ghost    Swear.
[They swear.
Hamlet    Rest, rest, perturbed spirit! So, gentlemen,
    With all my love I do commend me to you,
    And what so poor a man as Hamlet is
    May do t' express his love and friending to you,
    God willing, shall not lack. Let us go in together,
    And still your fingers on your lips, I pray.
    The time is out of joint. O cursed spite,
    That ever I was born to set it right!
    Nay, come, let's go together.
[Exeunt.

+++ +++ +++ +++ +++ +++


ACT 2.

Scene 1. A Room in Polonius' House.

Enter POLONIUS and REYNALDO.

Polonius    Give him this money and these notes, Reynaldo.

Reynaldo    I will, my lord.

Polonius    You shall do marvellous wisely, good Reynaldo,
    Before you visit him, to make inquire
    Of his behaviour.

Reynaldo                        My lord, I did intend it.

Polonius    Marry, well said, very well said. Look you, sir,
    Inquire me first what Danskers are in Paris,
    And how, and who, what means, and where they keep,
    What company, at what expense; and finding
    By this encompassment and drift of question
    That they do know my son, come you more nearer
    Than your particular demands will touch it.
    Take you, as 'twere, some distant knowledge of him,
    As thus: `I know his father and his friends,
    And in part him'. Do you mark this, Reynaldo?

Reynaldo    Ay, very well, my lord.

Polonius    `And in part him, but', you may say, `not well;
    But if't be he I mean, he's very wild,
    Addicted so and so'; and there put on him
    What forgeries you please; marry, none so rank
    As may dishonour him, take heed of that;
    But, sir, such wanton, wild, and usual slips
    As are companions noted and most known
    To youth and liberty.

Reynaldo                                As gaming, my lord.

Polonius    Ay, or drinking, fencing, swearing,
    Quarrelling, drabbing -you may go so far.

Reynaldo    My lord, that would dishonour him.

Polonius    Faith, no, as you may season it in the charge.
    You must not put another scandal on him,
    That he is open to incontinency;
    That's not my meaning, but breathe his faults so quaintly
    That they may seem the taints of liberty,
    The flash and outbreak of a fiery mind,
    A savageness in unreclaimed blood,
    Of general assault.

Reynaldo                            But, my good lord - 

Polonius    Wherefore should you do this?

Reynaldo                                        Ay, my lord,
    I would know that.

Polonius                            Marry, sir, here's my drift,
    And I believe it is a fetch of warrant:
    You laying these slight sullies on my son,
    As 'twere a thing a little soiled i'th' working,
    Mark you, your party in converse, him you would sound,
    Having ever seen in the prenominate crimes
    The youth you breathe of guilty, be assured
    He closes with you in this consequence:
    `Good sir', or so, or `friend', or `gentleman',
    According to the phrase or the addition
    Of man and country.

Reynaldo                        Very good, my lord.

Polonius    And then, sir, does a' this -a' does -what was I about to say? By 
the mass, I was about to say something. Where did I leave?

Reynaldo    At `closes in the consequence', at `friend or so', and `gentleman'.

Polonius    At `closes in the consequence' -ay, marry;
    He closes with you thus: `I know the gentleman,
    I saw him yesterday, or t'other day,
    Or then, or then, with such, or such; and, as you say,
    There was a' gaming, there o'ertook in's rouse,
    There falling out at tennis', or perchance
    `I saw him enter such a house of sale',
    Videlicet, a brothel, or so forth. See you now,
    Your bait of falsehood takes this carp of truth;
    And thus do we of wisdom and of reach,
    With windlasses and with assays of bias,
    By indirections find directions out.
    So, by my former lecture and advice,
    Shall you my son. You have me, have you not?

Reynaldo    My lord, I have.

Polonius                    God-buy-ye; fare ye well.

Reynaldo    Good my lord!

Polonius    Observe his inclination in yourself.

Reynaldo    I shall, my lord.

Polonius    And let him ply his music.

Reynaldo    Well, my lord.

Polonius    Farewell!
[Exit REYNALDO.

Enter OPHELIA.

    How now, Ophelia! What's the matter?

Ophelia    Alas, my lord, I have been so affrighted.

Polonius    With what, i'th' name of God?

Ophelia    My lord, as I was sewing in my closet,
    Lord Hamlet, with his doublet all unbraced,
    No hat upon his head, his stockings fouled,
    Ungartered and down-gyved to his ankle,
    Pale as his shirt, his knees knocking each other,
    And with a look so piteous in purport
    As if he had been loosed out of hell
    To speak of horrors, he comes before me.

Polonius    Mad for thy love?

Ophelia                        My lord, I do not know,
    But truly I do fear it.

Polonius                                    What said he?

Ophelia    He took me by the wrist and held me hard;
    Then goes he to the length of all his arm,
    And with his other hand thus o'er his brow
    He falls to such perusal of my face
    As a' would draw it. Long stayed he so.
    At last, a little shaking of mine arm,
    And thrice his head thus waving up and down,
    He raised a sigh so piteous and profound
    As it did seem to shatter all his bulk
    And end his being. That done, he lets me go,
    And with his head over his shoulder turned,
    He seemed to find his way without his eyes,
    For out o' doors he went without their help,
    And to the last bended their light on me.

Polonius    Come, go with me; I will go seek the king.
    This is the very ecstasy of love,
    Whose violent property fordoes itself
    And leads the will to desperate undertakings
    As oft as any passion under heaven
    That does afflict our natures. I am sorry.
    What, have you given him any hard words of late?

Ophelia    No, my good lord, but, as you did command,
    I did repel his letters and denied
    His access to me.

Polonius                        That hath made him mad.
    I am sorry that with better heed and judgement
    I had not quoted him. I feared he did but trifle
    And meant to wreck thee; but beshrew my jealousy!
    By heaven, it is as proper to our age
    To cast beyond ourselves in our opinions
    As it is common for the younger sort
    To lack discretion. Come, go we to the king.
    This must be known, which, being kept close, might move
    More grief to hide than hate to utter love.
    Come.
[Exeunt.

+ + + + + +

Scene 2. A Room in the Castle.

Flourish.
Enter KING and QUEEN, ROSENCRANTZ and GUILDENSTERN, with OTHERS.

King    Welcome, dear Rosencrantz and Guildenstern.
    Moreover that we much did long to see you,
    The need we have to use you did provoke
    Our hasty sending. Something have you heard
    Of Hamlet's transformation; so I call it,
    Since nor th' exterior nor the inward man
    Resembles that it was. What it should be,
    More than his father's death, that thus hath put him
    So much from th' understanding of himself,
    I cannot dream of. I entreat you both
    That, being of so young days brought up with him
    And since so neighboured to his youth and haviour,
    That you vouchsafe your rest here in our court
    Some little time, so by your companies
    To draw him on to pleasures, and to gather,
    So much as from occasion you may glean,
    Whether aught to us unknown afflicts him thus
    That, opened, lies within our remedy.

Queen    Good gentlemen, he hath much talked of you,
    And sure I am two men there is not living
    To whom he more adheres. If it will please you
    To show us so much gentry and good will
    As to expend your time with us a while
    For the supply and profit of our hope,
    Your visitation shall receive such thanks
    As fits a king's remembrance.

Rosencrantz                                        Both your majesties
    Might, by the sovereign power you have of us,
    Put your dread pleasures more into command
    Than to entreaty.

Guildenstern                            But we both obey,
    And here give up ourselves, in the full bent,
    To lay our service freely at your feet
    To be commanded.

King    Thanks, Rosencrantz and gentle Guildenstern.

Queen    Thanks, Guildenstern and gentle Rosencrantz.
    And I beseech you instantly to visit
    My too much changed son. Go, some of you,
    And bring these gentlemen where Hamlet is.

Guildenstern    Heavens make our presence and our practices
    Pleasant and helpful to him!

Queen                                        Ay, amen!
[Exeunt ROSENCRANTZ, GUILDENSTERN, and some OTHERS.

Enter POLONIUS.

Polonius    Th' ambassadors from Norway, my good lord,
    Are joyfully returned.

King    Thou still hast been the father of good news.

Polonius    Have I, my lord? Assure you, my good liege,
    I hold my duty as I hold my soul,
    Both to my God and to my gracious king;
    And I do think, or else this brain of mine
    Hunts not the trail of policy so sure
    As it hath used to do, that I have found
    The very cause of Hamlet's lunacy.

King    O speak of that; that do I long to hear.

Polonius    Give first admittance to th' ambassadors;
    My news shall be the fruit to that great feast.

King    Thyself do grace to them, and bring them in.
[Exit POLONIUS.
    He tells me, my dear Gertrude, he hath found
    The head and source of all your son's distemper.

Queen    I doubt it is no other but the main,
    His father's death and our o'erhasty marriage.

King    Well, we shall sift him.

Re-enter POLONIUS, with VOLTEMAND and CORNELIUS.

                                Welcome, my good friends.
    Say, Voltemand, what from our brother Norway?

Voltemand    Most fair return of greetings and desires.
    Upon our first he sent out to suppress
    His nephew's levies, which to him appeared
    To be a preparation 'gainst the Polack;
    But better looked into, he truly found
    It was against your highness; whereat grieved
    That so his sickness, age, and impotence
    Was falsely borne in hand, sends out arrests
    On Fortinbras, which he, in brief, obeys,
    Receives rebuke from Norway, and, in fine,
    Makes vow before his uncle never more
    To give th' assay of arms against your majesty.
    Whereon old Norway, overcome with joy,
    Gives him three thousand crowns in annual fee
    And his commission to employ those soldiers
    So levied as before, against the Polack,
    With an entreaty, herein further shown,
[Giving a paper.
    That it might please you to give quiet pass
    Through your dominions for this enterprise,
    On such regards of safety and allowance
    As therein are set down.

King                                    It likes us well,
    And at our more considered time we'll read,
    Answer, and think upon this business.
    Meantime, we thank you for your well-took labour.
    Go to your rest, at night we'll feast together.
    Most welcome home.
[Exeunt VOLTEMAND and CORNELIUS.

Polonius                        This business is well ended.
    My liege, and madam, to expostulate
    What majesty should be, what duty is,
    Why day is day, night night, and time is time,
    Were nothing but to waste night, day, and time.
    Therefore, since brevity is the soul of wit,
    And tediousness the limbs and outward flourishes,
    I will be brief. Your noble son is mad.
    Mad call I it, for, to define true madness,
    What is't but to be nothing else but mad?
    But let that go.

Queen                        More matter with less art.

Polonius    Madam, I swear I use no art at all.
    That he is mad 'tis true; 'tis true 'tis pity,
    And pity 'tis 'tis true. A foolish figure;
    But farewell it, for I will use no art.
    Mad let us grant him then; and now remains
    That we find out the cause of this effect,
    Or rather say the cause of this defect,
    For this effect defective comes by cause.
    Thus it remains, and the remainder thus.
    Perpend.
    I have a daughter, have while she is mine,
    Who in her duty and obedience, mark,
    Hath given me this. Now gather and surmise.

    [Reads.]    "To the celestial and my soul's idol, the most beautified 
Ophelia" - 

    That's an ill phrase, a vile phrase, `beautified' is a vile phrase. But 
you shall hear - 

                "These in her excellent white bosom, these".

Queen    Came this from Hamlet to her?

Polonius    Good madam, stay awhile, I will be faithful.

    [Reads.]    "Doubt thou the stars are fire,
                    Doubt that the sun doth move,
                Doubt truth to be a liar,
                    But never doubt I love."

                    "O dear Ophelia, I am ill at these numbers. I have not art 
to reckon my groans; but that I love thee best, O most best, believe it. Adieu.
        Thine evermore, most dear lady, whilst this machine is to him,
                                        HAMLET."

    This in obedience hath my daughter shown me,
    And, more above, hath his solicitings,
    As they fell out by time, by means, and place,
    All given to mine ear.

King                                But how hath she
    Received his love?

Polonius                            What do you think of me?

King    As of a man faithful and honourable.

Polonius    I would fain prove so; but what might you think,
    When I had seen this hot love on the wing,
    As I perceived it, I must tell you that,
    Before my daughter told me, what might you,
    Or my dear majesty your queen here, think,
    If I had played the desk or table-book,
    Or given my heart a winking, mute and dumb,
    Or looked upon this love with idle sight,
    What might you think? No, I went round to work,
    And my young mistress thus I did bespeak:
    `Lord Hamlet is a prince out of thy star;
    This must not be'. And then I precepts gave her,
    That she should lock herself from his resort,
    Admit no messengers, receive no tokens;
    Which done, she took the fruits of my advice,
    And he, repelled -a short tale to make - 
    Fell into a sadness, then into a fast,
    Thence to a watch, thence into a weakness,
    Thence to a lightness; and by this declension
    Into the madness wherein now he raves,
    And all we mourn for.

King                            Do you think 'tis this?

Queen    It may be; very like.

Polonius    Hath there been such a time -I'd fain know that - 
    That I have positively said "'Tis so"
    When it proved otherwise?

King                                    Not that I know.

Polonius    Take this from this [Indicating his head and shoulder.]
                                if this be otherwise.
    If circumstances lead me, I will find
    Where truth is hid, though it were hid indeed
    Within the centre.

King                            How may we try it further?

Polonius    You know sometimes he walks for hours together
    Here in the lobby.

Queen                            So he does indeed.

Polonius    At such a time I'll loose my daughter to him.
    Be you and I behind an arras then;
    Mark the encounter. If he love her not,
    And be not from his reason fall'n thereon,
    Let me be no assistant for a state,
    But keep a farm and carters.

King                                        We will try it.

Enter HAMLET, reading a book.

Queen    But look, where sadly the poor wretch comes reading.

Polonius    Away, I do beseech you both, away.
    I'll board him presently. O, give me leave.
[Exeunt KING and QUEEN.

    How does my good Lord Hamlet?

Hamlet    Well, God-a-mercy.

Polonius    Do you know me, my lord?

Hamlet    Excellent well, you are a fishmonger.

Polonius    Not I, my lord.

Hamlet    Then I would you were so honest a man.

Polonius    Honest, my lord?

Hamlet    Ay, sir; to be honest, as this world goes, is to be one man picked 
out of ten thousand.

Polonius    That's very true, my lord.

Hamlet    For if the sun breed maggots in a dead dog, being a good kissing 
carrion -Have you a daughter?

Polonius    I have, my lord.

Hamlet    Let her not walk i'th' sun. Conception is a blessing, but as your 
daughter may conceive -friend, look to't.

Polonius    [Aside.] How say you by that? Still harping on my daughter. Yet he 
knew me not at first, a' said I was a fishmonger. A' is far gone, far gone; 
and truly, in my youth I suffered much extremity for love; very near this. 
I'll speak to him again. What do you read, my lord?

Hamlet    Words, words, words.

Polonius    What is the matter, my lord?

Hamlet    Between who?

Polonius    I mean, the matter that you read, my lord.

Hamlet    Slanders, sir; for the satirical rogue says here that old men have 
grey beards, that their faces are wrinkled, their eyes purging thick amber and 
plum-tree gum, and that they have a plentiful lack of wit, together with most 
weak hams. All which, sir, though I most powerfully and potently believe, yet 
I hold it not honesty to have it thus set down; for yourself, sir, shall be 
old as I am, if, like a crab, you could go backward.

Polonius    [Aside.] Though this be madness, yet there is method in't.
    [To HAMLET.] Will you walk out of the air, my lord?

Hamlet    Into my grave.

Polonius    Indeed, that's out of the air.
    [Aside.] How pregnant sometimes his replies are! A happiness that often 
madness hits on, which reason and sanity could not so prosperously be 
delivered of. I will leave him, and suddenly contrive the means of meeting 
between him and my daughter.
    [To HAMLET.] My lord, I will take my leave of you.

Hamlet    You cannot, sir, take from me anything that I will not more 
willingly part withal -except my life, except my life, my life.

Polonius    Fare you well, my lord.
[Going.
Hamlet    These tedious old fools!

Re-enter ROSENCRANTZ and GUILDENSTERN.

Polonius    You go to seek the Lord Hamlet; there he is.

Rosencrantz    [To POLONIUS.] God save you, sir.
[Exit POLONIUS.

Guildenstern    Mine honoured lord!

Rosencrantz    My most dear lord!

Hamlet    My excellent good friends. How dost thou, Guildenstern? Ah, 
Rosencrantz. -Good lads, how do you both?

Rosencrantz    As the indifferent children of the earth.

Guildenstern    Happy, in that we are not overhappy;
    On Fortune's cap we are not the very button.

Hamlet    Nor the soles of her shoe?

Rosencrantz    Neither, my lord.

Hamlet    Then you live about her waist, or in the middle of her favours.

Guildenstern    Faith, her privates we.

Hamlet    In the secret parts of Fortune? O, most true, she is a strumpet. 
What news?

Rosencrantz    None, my lord, but the world's grown honest.

Hamlet    Then is doomsday near. But your news is not true. Let me question 
more in particular. What have you, my good friends, deserved at the hands of 
Fortune, that she sends you to prison hither?


Guildenstern    Prison, my lord?

Hamlet    Denmark's a prison.

Rosencrantz    Then is the world one.

Hamlet    A goodly one, in which there are many confines, wards, and dungeons; 
Denmark being one o'th' worst.

Rosencrantz    We think not so, my lord.

Hamlet    Why, then 'tis none to you, for there is nothing either good or bad 
but thinking makes it so. To me it is a prison.

Rosencrantz    Why, then your ambition makes it one; 'tis too narrow for your 
mind.

Hamlet    O God, I could be bounded in a nutshell and count myself a king of 
infinite space, were it not that I have bad dreams.

Guildenstern    Which dreams indeed are ambition; for the very substance of 
the ambitious is merely the shadow of a dream.

Hamlet    A dream itself is but a shadow.

Rosencrantz    Truly, and I hold ambition of so airy and light a quality that 
it is but a shadow's shadow.

Hamlet    Then are our beggars bodies, and our monarchs and outstretched 
heroes the beggars' shadows. Shall we to th' court? For, by my fay, I cannot 
reason.

Rosencrantz &
Guildenstern    We'll wait upon you.

Hamlet    No such matter. I will not sort you with the rest of my servants, 
for, to speak to you like an honest man, I am most dreadfully attended. But, 
in the beaten way of friendship, what make you at Elsinore?

Rosencrantz    To visit you, my lord; no other occasion.

Hamlet    Beggar that I am, I am even poor in thanks, but I thank you; and 
sure, dear friends, my thanks are too dear a halfpenny. Were you not sent for? 
Is it your own inclining? Is it a free visitation? Come, come, deal justly 
with me. Come, come. Nay, speak.

Guildenstern    What should we say, my lord?

Hamlet    Why, anything -but to th' purpose. You were sent for, and there is a 
kind of confession in your looks which your modesties have not craft enough to 
colour. I know the good king and queen have sent for you.

Rosencrantz    To what end, my lord?

Hamlet    That you must teach me. But let me conjure you by the rights of our 
fellowship, by the consonancy of our youth, by the obligation of our 
ever-preserved love, and by what more dear a better proposer could charge you 
withal, be even and direct with me, whether you were sent for or no.

Rosencrantz    [Aside to GUILDENSTERN.] What say you?

Hamlet    [Aside.] Nay then, I have an eye of you. If you love me, hold not off.

Guildenstern    My lord, we were sent for.

Hamlet    I will tell you why; so shall my anticipation prevent your 
discovery, and your secrecy to the king and queen moult no feather. I have of 
late -but wherefore I know not -lost all my mirth, forgone all custom of 
exercises; and indeed it goes so heavily with my disposition that this goodly 
frame, the earth, seems to me a sterile promontory, this most excellent 
canopy, the air, look you, this brave o'erhanging firmament, this majestical 
roof fretted with golden fire, why, it appears no other thing to me but a foul 
and pestilent congregation of vapours. What piece of work is a man! How noble 
in reason, how infinite in faculty, in form and moving how express and 
admirable, in action how like an angel, in apprehension how like a god -the 
beauty of the world, the paragon of animals! And yet, to me, what is this 
quintessence of dust? Man delights not me, no, nor woman neither, though by 
your smiling you seem to say so.

Rosencrantz    My lord, there was no such stuff in my thoughts.

Hamlet    Why did ye laugh then, when I said `man delights not me'?

Rosencrantz    To think, my lord, if you delight not in man what lenten 
entertainment the players shall receive from you. We coted them on the way; 
and hither are they coming to offer you service.

Hamlet    He that plays the king shall be welcome; his majesty shall have 
tribute of me; the adventurous knight shall use his foil and target; the lover 
shall not sigh gratis; the humorous man shall end his part in peace; the clown 
shall make those laugh whose lungs are tickle a'th' sere; and the lady shall 
say her mind freely, or the blank verse shall halt for't. What players are they?

Rosencrantz    Even those you were wont to take such delight in, the 
tragedians of the city.

Hamlet    How chances it they travel? Their residence, both in reputation and 
profit, was better both ways.

Rosencrantz    I think their inhibition comes by the means of the late 
innovation.

Hamlet    Do they hold the same estimation they did when I was in the city? 
Are they so followed?

Rosencrantz    No, indeed, are they not.

Hamlet    How comes it? Do they grow rusty?

Rosencrantz    Nay, their endeavour keeps in the wonted pace; but there is, 
sir, an eyrie of children, little eyases, that cry out on the top of question 
and are most tyrannically clapped for't. These are now the fashion, and so 
berattle the common stages -so they call them -that many wearing rapiers are 
afraid of goose-quills, and dare scarce come thither.

Hamlet    What, are they children? Who maintains 'em? How are they escoted? 
Will they pursue the quality no longer than they can sing? Will they not say 
afterwards, if they should grow themselves to common players -as it is most 
like, if their means are no better -their writers do them wrong to make them 
exclaim against their own succession?

Rosencrantz    Faith, there has been much to-do on both sides, and the nation 
holds it no sin to tarre them to controversy. There was for a while no money 
bid for argument unless the poet and the player went to cuffs in the question.

Hamlet    Is't possible?

Guildenstern    O, there has been much throwing about of brains.

Hamlet    Do the boys carry it away?

Rosencrantz    Ay, that they do, my lord; Hercules and his load too.

Hamlet    It is not very strange; for my uncle is King of Denmark, and those 
that would make mouths at him while my father lived give twenty, forty, fifty, 
a hundred ducats apiece for his picture in little. 'Sblood, there is something 
in this more than natural, if philosophy could find it out.
[Flourish of trumpets within.

Guildenstern    There are the players.

Hamlet    Gentlemen, you are welcome to Elsinore. Your hands, come then. The 
appurtenance of welcome is fashion and ceremony. Let me comply with you in 
this garb, lest my extent to the players, which, I tell you, must show fairly 
outward, should more appear like entertainment than yours. You are welcome. 
But my uncle-father and aunt-mother are deceived.

Guildenstern    In what, my dear lord?

Hamlet    I am but mad north-north-west; when the wind is southerly I know a 
hawk from a handsaw.

Re-enter POLONIUS.

Polonius    Well be with you, gentlemen.

Hamlet    Hark you, Guildenstern, and you too -at each ear a hearer -that 
great baby you see there is not yet out of his swaddling clouts.

Rosencrantz    Haply he's the second time come to them, for they say an old 
man is twice a child.

Hamlet    I will prophesy he comes to tell me of the players; mark it. -You 
say right, sir, a' Monday morning; 'twas then indeed.

Polonius    My lord, I have news to tell you.

Hamlet    My lord, I have news to tell you. When Roscius was an actor in Rome - 

Polonius    The actors are come hither, my lord.

Hamlet    Buzz, buzz.

Polonius    Upon my honour.

Hamlet    Then came each actor on his ass. 

Polonius    The best actors in the world, either for tragedy, comedy, history, 
pastoral, pastoral-comical, historical-pastoral, tragical-historical, 
tragical-comical-historical-pastoral, scene individable, or poem unlimited. 
Seneca cannot be too heavy, nor Plautus too light. For the law of writ and the 
liberty, these are the only men.

Hamlet    O Jephthah, judge of Israel, what a treasure hadst thou!

Polonius    What a treasure had he, my lord?

Hamlet    Why,
                `One fair daughter, and no more,
                The which he loved passing well'.

Polonius    [Aside.] Still on my daughter.

Hamlet    Am I not i'th' right, old Jephthah?

Polonius    If you call me Jephthah, my lord, I have a daughter that I love 
passing well.

Hamlet    Nay, that follows not.

Polonius    What follows then, my lord?

Hamlet    Why,
                `As by lot, God wot,'

    and then you know,

                `It came to pass as most like it was' - 

    The first row of the pious chanson will show you more, for look where my 
abridgement comes.

Enter THE PLAYERS.

    You are welcome, masters, welcome all. I am glad to see thee well. 
Welcome, good friends. O, my old friend! Thy face is valanced since I saw thee 
last; com'st thou to beard me in Denmark? What, my young lady and mistress! 
By'rlady, your ladyship is nearer heaven than when I saw you last by the 
altitude of a chopine. Pray God your voice, like a piece of uncurrent gold, be 
not cracked within the ring. Masters, you are all welcome. We'll e'en to't 
like French falconers, fly at anything we see. We'll have a speech straight. 
Come, give us a taste of your quality. Come, a passionate speech.

1st Player    What speech, my good lord?

Hamlet    I heard thee speak me a speech once, but it was never acted, or, if 
it was, not above once; for the play, I remember, pleased not the million; 
'twas caviare to the general. But it was -as I received it, and others whose 
judgements in such matters cried in the top of mine -an excellent play, well 
digested in the scenes, set down with as much modesty as cunning. I remember 
one said there were no sallets in the lines to make the matter savoury, nor no 
matter in the phrase that might indict the author of affectation, but called 
it an honest method, as wholesome as sweet, and by very much more handsome 
than fine. One speech in it I chiefly loved -'twas Aeneas' tale to Dido, and 
thereabout of it especially when he speaks of Priam's slaughter. If it live in 
your memory, begin at this line: -let me see, let me see:

            "The rugged Pyrrhus, like th' Hyrcanian beast" - 

    'tis not so; it begins with Pyrrhus - 

            "The rugged Pyrrhus, he whose sable arms,
            Black as his purpose, did the night resemble
            When he lay couched in the ominous horse,
            Hath now this dread and black complexion smeared
            With heraldry more dismal; head to foot
            Now is he total gules, horridly tricked
            With blood of fathers, mothers, daughters, sons,
            Baked and impasted with the parching streets,
            That lend a tyrannous and a damned light
            To their lord's murder. Roasted in wrath and fire,
            And thus o'ersized with coagulate gore,
            With eyes like carbuncles, the hellish Pyrrhus
            Old grandsire Priam seeks."

    So, proceed you.

Polonius    Fore God, my lord, well spoken, with good accent and good 
discretion.

1st Player                                        "Anon he finds him
            Striking too short at Greeks; his antique sword,
            Rebellious to his arm, lies where it falls,
            Repugnant to command. Unequal matched,
            Pyrrhus at Priam drives, in rage strikes wide;
            But with the whiff and wind of his fell sword
            Th' unnerved father falls. Then senseless Ilium,
            Seeming to feel this blow, with flaming top
            Stoops to his base, and with a hideous crash
            Takes prisoner Pyrrhus' ear; for lo, his sword,
            Which was declining on the milky head
            Of reverend Priam, seemed i'th' air to stick;
            So, as a painted tyrant, Pyrrhus stood,
            And, like a neutral to his will and matter,
            Did nothing.
            But as we often see against some storm
            A silence in the heavens, the rack stand still,
            The bold winds speechless, and the orb below
            As hush as death, anon the dreadful thunder
            Doth rend the region; so, after Pyrrhus' pause,
            A roused vengeance sets him new a-work;
            And never did the Cyclops' hammers fall
            On Mars's armour, forged for proof eterne,
            With less remorse than Pyrrhus' bleeding sword
            Now falls on Priam.
            Out, out, thou strumpet, Fortune! All you gods
            In general synod take away her power,
            Break all the spokes and fellies from her wheel,
            And bowl the round nave down the hill of heaven
            As low as to the fiends!"

Polonius    This is too long.

Hamlet    It shall to th' barber's, with your beard. Prithee say on. He's for 
a jig or a tale of bawdry, or he sleeps. Say on, come to Hecuba.

1st Player            "But who, O who had seen the mobled queen -"

Hamlet    `The mobled queen?'

Polonius    That's good, `mobled queen' is good.

1st Player            "Run barefoot up and down, threat'ning the flames
            With bisson rheum, a clout upon that head
            Where late the diadem stood, and for a robe,
            About her lank and all o'erteemed loins,
            A blanket, in th' alarm of fear caught up: - 
            Who this had seen, with tongue in venom steeped
            Gainst Fortune's state would treason have pronounced;
            But if the gods themselves did see her then,
            When she saw Pyrrhus make malicious sport
            In mincing with his sword her husband's limbs,
            The instant burst of clamour that she made,
            Unless things mortal move them not at all,
            Would have made milch the burning eyes of heaven,
            And passion in the gods."

Polonius    Look, whe'er he has not turned his colour, and has tears in's 
eyes. Prithee no more.

Hamlet    'Tis well; I'll have thee speak out the rest of this soon. [To 
POLONIUS.] Good my lord, will you see the players well bestowed? Do you hear? 
-let them be well used, for they are the abstract and brief chronicles of the 
time. After your death you were better have a bad epitaph than their ill 
report while you live.

Polonius    My lord, I will use them according to their desert.

Hamlet    God's bodykins, man, much better. Use every man after his desert, 
and who should 'scape whipping? Use them after your own honour and dignity; 
the less they deserve, the more merit is in your bounty. Take them in.

Polonius    Come, sirs.
[Exit.

Hamlet    Follow him, friends. We'll hear a play tomorrow.
    [To 1st PLAYER.] Dost thou hear me, old friend; can you play the Murder of 
Gonzago?

1st Player    Ay, my lord.

Hamlet    We'll ha't tomorrow night. You could, for a need, study a speech of 
some dozen or sixteen lines which I would set down and insert in't, could you 
not?

1st Player    Ay, my lord.

Hamlet    Very well. Follow that lord, and look you mock him not.
[Exeunt PLAYERS.
    My good friends, I'll leave you till night. You are welcome to Elsinore.

Rosencrantz    Good my lord!
[Exeunt ROSENCRANTZ and GUILDENSTERN.

Hamlet    Ay, so, God-buy to you. Now I am alone.
    O, what a rogue and peasant slave am I!
    Is it not monstrous that this player here,
    But in a fiction, in a dream of passion,
    Could force his soul so to his own conceit
    That from her working all this visage wanned,
    Tears in his eyes, distraction in's aspect,
    A broken voice, and his whole function suiting
    With forms to his conceit? And all for nothing!
    For Hecuba!
    What's Hecuba to him, or he to Hecuba,
    That he should weep for her? What would he do
    Had he the motive and the cue for passion
    That I have? He would drown the stage with tears
    And cleave the general ear with horrid speech,
    Make mad the guilty, and appal the free,
    Confound the ignorant, and amaze indeed
    The very faculties of eyes and ears. Yet I,
    A dull and muddy-mettled rascal, peak
    Like John-a-dreams, unpregnant of my cause,
    And can say nothing -no, not for a king
    Upon whose property and most dear life
    A damned defeat was made. Am I a coward?
    Who calls me villain, breaks my pate across,
    Plucks off my beard and blows it in my face,
    Tweaks me by th' nose, gives me the lie i'th' throat
    As deep as to the lungs? Who does me this?
    Ha! 'Swounds, I should take it; for it cannot be
    But I am pigeon-livered, and lack gall
    To make oppression bitter, or ere this
    I should-a fatted all the region kites
    With this slave's offal. Bloody, bawdy villain!
    Remorseless, treacherous, lecherous, kindless villain!
    O, vengeance!
    Why, what an ass am I! This is most brave,
    That I, the son of a dear father murdered,
    Prompted to my revenge by heaven and hell,
    Must like a whore unpack my heart with words,
    And fall a-cursing like a very drab,
    A scullion! Fie upon't! Foh!
    About, my brains. Hum, I have heard
    That guilty creatures sitting at a play
    Have, by the very cunning of the scene,
    Been struck so to the soul that presently
    They have proclaimed their malefactions;
    For murder, though it have no tongue, will speak
    With most miraculous organ. I'll have these players
    Play something like the murder of my father
    Before mine uncle. I'll observe his looks,
    I'll tent him to the quick. If he do blench,
    I know my course. The spirit that I have seen
    May be a devil, and the devil hath power
    T' assume a pleasing shape; yea, and perhaps
    Out of my weakness and my melancholy,
    As he is very potent with such spirits,
    Abuses me to damn me. I'll have grounds
    More relative than this. The play's the thing
    Wherein I'll catch the conscience of the king.
[Exit.

+++ +++ +++ +++ +++ +++


ACT 3.

Scene 1. A Room in the Castle.

Enter KING, QUEEN, POLONIUS, OPHELIA, ROSENCRANTZ, and GUILDENSTERN.

King    And can you by no drift of circumstance
    Get from him why he puts on this confusion,
    Grating so harshly all his days of quiet
    With turbulent and dangerous lunacy?

Rosencrantz    He does confess he feels himself distracted,
    But from what cause a' will by no means speak.

Guildenstern    Nor do we find him forward to be sounded,
    But, with a crafty madness, keeps aloof
    When we would bring him on to some confession
    Of his true state.

Queen                        Did he receive you well?

Rosencrantz    Most like a gentleman.

Guildenstern    But with much forcing of his disposition.

Rosencrantz    Niggard of question, but of our demands
    Most free in his reply.

Queen                                    Did you assay him
    To any pastime?

Rosencrantz    Madam, it so fell out that certain players
    We o'erraught on the way; of these we told him,
    And there did seem in him a kind of joy
    To hear of it. They are here about the court,
    And, as I think, they have already order
    This night to play before him.

Polonius                                        'Tis most true,
    And he beseeched me to entreat your majesties
    To hear and see the matter.

King    With all my heart; and it doth much content me
    To hear him so inclined.
    Good gentlemen, give him a further edge,
    And drive his purpose into these delights.

Rosencrantz    We shall, my lord.
[Exeunt ROSENCRANTZ and GUILDENSTERN.

King                            Sweet Gertrude, leave us too,
    For we have closely sent for Hamlet hither,
    That he, as 'twere by accident, may here
    Affront Ophelia.
    Her father and myself, lawful espials,
    Will so bestow ourselves that, seeing unseen,
    We may of their encounter frankly judge,
    And gather by him, as he is behaved,
    If't be th' affliction of his love or no
    That thus he suffers for.

Queen                                        I shall obey you.
    And for your part, Ophelia, I do wish
    That your good beauties be the happy cause
    Of Hamlet's wildness; so shall I hope your virtues
    Will bring him to his wonted way again,
    To both your honours.

Ophelia                                Madam, I wish it may.
[Exit QUEEN.
Polonius    Ophelia, walk you here. -Gracious, so please you,
    We will bestow ourselves. -Read on this book,
    That show of such an exercise may colour
    Your loneliness. We are oft to blame in this:
    'Tis too much proved that with devotion's visage
    And pious action we do sugar o'er
    The devil himself.

King    [Aside.]                O, 'tis too true!
    How smart a lash that speech doth give my conscience.
    The harlot's cheek, beautied with plast'ring art,
    Is not more ugly to the thing that helps it
    Than is my deed to my most painted word.
    O heavy burden!

Polonius    I hear him coming. Let's withdraw, my lord.
[Exeunt KING and POLONIUS.

Enter HAMLET.

Hamlet    To be, or not to be, that is the question:
    Whether 'tis nobler in the mind to suffer
    The slings and arrows of outrageous fortune,
    Or to take arms against a sea of troubles
    And by opposing end them. To die -to sleep, 
    No more; and by a sleep to say we end
    The heartache and the thousand natural shocks
    That flesh is heir to. 'Tis a consummation
    Devoutly to be wished. To die, to sleep;
    To sleep, perchance to dream. Ay, there's the rub;
    For in that sleep of death what dreams may come
    When we have shuffled off this mortal coil
    Must give us pause. There's the respect
    That makes calamity of so long life,
    For who would bear the whips and scorns of time,
    Th' oppressor's wrong, the proud man's contumely,
    The pangs of disprized love, the law's delay,
    The insolence of office, and the spurns
    That patient merit of th' unworthy takes,
    When he himself might his quietus make
    With a bare bodkin? Who would these fardels bear,
    To grunt and sweat under a weary life,
    But that the dread of something after death,
    The undiscovered country from whose bourn
    No traveller returns, puzzles the will,
    And makes us rather bear those ills we have
    Than fly to others that we know not of?
    Thus conscience does make cowards of us all,
    And thus the native hue of resolution
    Is sicklied o'er with the pale cast of thought,
    And enterprises of great pith and moment
    With this regard their currents turn awry
    And lose the name of action. Soft you now,
    The fair Ophelia! Nymph, in thy orisons
    Be all my sins remembered.

Ophelia                                        Good my lord,
    How does your honour for this many a day?

Hamlet    I humbly thank you, well, well, well.

Ophelia    My lord, I have remembrances of yours
    That I have longed long to re-deliver;
    I pray you now receive them.

Hamlet                                        No, not I;
    I never gave you aught.

Ophelia    My honoured lord, you know right well you did,
    And with them words of so sweet breath composed
    As made these things more rich. Their perfume lost,
    Take these again; for to the noble mind
    Rich gifts wax poor when givers prove unkind.
    There, my lord.

Hamlet    Ha, ha! Are you honest?

Ophelia    My lord?

Hamlet    Are you fair?

Ophelia    What means your lordship?

Hamlet    That if you be honest and fair, your honesty should admit no 
discourse to your beauty.

Ophelia    Could beauty, my lord, have better commerce than with honesty?

Hamlet    Ay, truly, for the power of beauty will sooner transform honesty 
from what it is to a bawd than the force of honesty can translate beauty into 
his likeness. This was sometime a paradox, but now the time gives it proof. I 
did love you once.

Ophelia    Indeed, my lord, you made me believe so.

Hamlet    You should not have believed me, for virtue cannot so inoculate our 
old stock but we shall relish of it. I loved you not.

Ophelia    I was the more deceived.

Hamlet    Get thee to a nunnery. Why wouldst thou be a breeder of sinners? I 
am myself indifferent honest, but yet I could accuse me of such things that it 
were better my mother had not borne me: I am very proud, revengeful, 
ambitious, with more offences at my beck than I have thoughts to put them in, 
imagination to give them shape, or time to act them in. What should such 
fellows as I do crawling between heaven and earth? We are arrant knaves, all. 
Believe none of us. Go thy ways to a nunnery. Where's your father?

Ophelia    At home, my lord.

Hamlet    Let the doors be shut upon him, that he may play the fool nowhere 
but in's own house. Farewell.

Ophelia    O, help him, you sweet heavens!

Hamlet    If thou dost marry, I'll give thee this plague for thy dowry: be 
thou as chaste as ice, as pure as snow, thou shalt not escape calumny. Get 
thee to a nunnery, go, farewell. Or, if thou wilt needs marry, marry a fool; 
for wise men know well enough what monsters you make of them. To a nunnery, 
go, and quickly too. Farewell.

Ophelia    O heavenly powers, restore him!

Hamlet    I have heard of your paintings, too, well enough. God hath given you 
one face and you make yourselves another. You jig, you amble, and you lisp, 
and nickname God's creatures, and make your wantonness your ignorance. Go to, 
I'll no more on't; it hath made me mad. I say we will have no more marriage. 
Those that are married already -all but one -shall live, the rest shall keep 
as they are. To a nunnery, go.
[Exit.
Ophelia    O what a noble mind is here o'erthrown!
    The courtier's, soldier's, scholar's, eye, tongue, sword,
    Th' expectancy and rose of the fair state,
    The glass of fashion and the mould of form,
    Th' observed of all observers, quite, quite down!
    And I, of ladies most deject and wretched,
    That sucked the honey of his music vows,
    Now see that noble and most sovereign reason
    Like sweet bells jangled out of time, and harsh,
    That unmatched form and feature of blown youth
    Blasted with ecstasy. O, woe is me,
    T' have seen what I have seen, see what I see!

Re-enter KING and POLONIUS.

King    Love! His affections do not that way tend,
    Nor what he spake, though it lacked form a little,
    Was not like madness. There's something in his soul
    O'er which his melancholy sits on brood,
    And I do doubt the hatch and the disclose
    Will be some danger; which for to prevent
    I have in quick determination
    Thus set it down: -he shall with speed to England
    For the demand of our neglected tribute.
    Haply the seas and countries different,
    With variable objects, shall expel
    This something-settled matter in his heart,
    Whereon his brains still beating puts him thus
    From fashion of himself. What think you on't?

Polonius    It shall do well. But yet do I believe
    The origin and commencement of his grief
    Sprung from neglected love. How now, Ophelia?
    You need not tell us what Lord Hamlet said,
    We heard it all. My lord, do as you please;
    But if you hold it fit, after the play
    Let his queen mother all alone entreat him
    To show his grief. Let her be round with him,
    And I'll be placed, so please you, in the ear
    Of all their conference. If she find him not,
    To England send him, or confine him where
    Your wisdom best shall think.

King                                        It shall be so:
    Madness in great ones must not unwatched go.
[Exeunt.

+ + + + + +

Scene 2. A Hall in the Castle.

Enter HAMLET and THREE of the PLAYERS.

Hamlet    Speak the speech, I pray you, as I pronounced it to you, trippingly 
on the tongue; but if you mouth it, as many of your players do, I had as lief 
the town-crier spoke my lines. Nor do not saw the air too much with your hand 
thus, but use all gently, for in the very torrent, tempest, and, as I may say, 
whirlwind of your passion, you must acquire and beget a temperance that may 
give it smoothness. O, it offends me to the soul to hear a robustious 
periwig-pated fellow tear a passion to tatters, to very rags, to split the 
ears of the groundlings, who for the most part are capable of nothing but 
inexplicable dumb-shows and noise. I would have such a fellow whipped for 
o'erdoing Termagant. It out-herods Herod: pray you, avoid it.

1st Player    I warrant your honour.

Hamlet    Be not too tame neither, but let your own discretion be your tutor. 
Suit the action to the word, the word to the action, with this special 
observance, that you o'erstep not the modesty of nature; for anything so 
o'erdone is from the purpose of playing, whose end, both at the first and now, 
was and is to hold as 'twere the mirror up to nature, to show virtue her own 
feature, scorn her own image, and the very age and body of the time his form 
and pressure. Now, this overdone or come tardy off, though it make the 
unskilful laugh, cannot but make the judicious grieve, the censure of which 
one must in your allowance o'erweigh a whole theatre of others. O, there be 
players that I have seen play, and heard others praise, and that highly, not 
to speak it profanely, that neither having th' accent of Christians, nor the 
gait of Christian, pagan, nor man, have so strutted and bellowed that I have 
thought some of nature's journeymen had made men, and not made them well, they 
imitated humanity so abominably.

1st Player    I hope we have reformed that indifferently with us, sir.

Hamlet    O, reform it altogether; and let those that play your clowns speak 
no more than is set down for them; for there be of them that will themselves 
laugh to set on some quantity of barren spectators to laugh too, though in the 
meantime some necessary question of the play be then to be considered. That's 
villainous, and shows a most pitiful ambition in the fool that uses it. Go, 
make you ready.
[Exeunt PLAYERS.

Enter POLONIUS, ROSENCRANTZ, and GUILDENSTERN.

    How now, my lord. Will the king hear this piece of work?

Polonius    And the queen too, and that presently.

Hamlet    Bid the players make haste.
[Exit POLONIUS.
    Will you two help to hasten them?

Rosencrantz    Ay, my lord.
[Exeunt ROSENCRANTZ and GUILDENSTERN.

Hamlet    What ho, Horatio!

Enter HORATIO.

Horatio    Here, sweet lord, at your service.

Hamlet    Horatio, thou art e'en as just a man
    As e'er my conversation coped withal.

Horatio    O, my dear lord. 

Hamlet                        Nay, do not think I flatter,
    For what advancement may I hope from thee
    That no revenue hast but thy good spirits
    To feed and clothe thee? Why should the poor be flattered?
    No, let the candied tongue lick absurd pomp,
    And crook the pregnant hinges of the knee
    Where thrift may follow fawning. Dost thou hear?
    Since my dear soul was mistress of her choice,
    And could of men distinguish her election,
    Sh'ath sealed thee for herself, for thou hast been
    As one, in suff'ring all, that suffers nothing,
    A man that fortune's buffets and rewards
    Hast ta'en with equal thanks; and blest are those
    Whose blood and judgement are so well commeddled
    That they are not a pipe for fortune's finger
    To sound what stop she please. Give me that man
    That is not passion's slave, and I will wear him
    In my heart's core, ay, in my heart of heart,
    As I do thee. Something too much of this.
    There is a play tonight before the king;
    One scene of it comes near the circumstance
    Which I have told thee of my father's death.
    I prithee, when thou seest that act afoot,
    Even with the very comment of thy soul
    Observe my uncle. If his occulted guilt
    Do not itself unkennel in one speech,
    It is a damned ghost that we have seen,
    And my imaginations are as foul

    As Vulcan's stithy. Give him heedful note;
    For I mine eyes will rivet to his face,
    And after we will both our judgements join
    In censure of his seeming.

Horatio                                        Well, my lord.
    If a' steal aught the whilst this play is playing,
    And 'scape detecting, I will pay the theft.
[Sound a flourish.

Hamlet    They are coming to the play. I must be idle.
    Get you a place.

Danish march.
Enter KING, QUEEN, POLONIUS, OPHELIA, ROSENCRANTZ, GUILDENSTERN, and other 
LORDS attending, with the GUARD carrying torches.

King    How fares our cousin Hamlet?

Hamlet    Excellent, i'faith, of the chameleon's dish. I eat the air, 
promise-crammed. You cannot feed capons so.

King    I have nothing with this answer, Hamlet; these words are not mine.

Hamlet    No, nor mine now. [To POLONIUS.] My lord, you played once i'th' 
university, you say?

Polonius    That did I, my lord, and was accounted a good actor.

Hamlet    What did you enact?

Polonius    I did enact Julius Caesar. I was killed i'th' Capitol; Brutus 
killed me.

Hamlet    It was a brute part of him to kill so capital a calf there. Be the 
players ready?

Rosencrantz    Ay, my lord, they stay upon your patience.

Queen    Come hither, my good Hamlet, sit by me.

Hamlet    No, good mother, here's metal more attractive.
[Indicating OPHELIA.

Polonius    [Aside to the KING.] O ho, do you mark that?

Hamlet    Lady, shall I lie in your lap?
[Sitting at OPHELIA's feet.
Ophelia    No, my lord.

Hamlet    I mean my head upon your lap?

Ophelia    Ay, my lord.

Hamlet    Do you think I meant country matters?

Ophelia    I think nothing, my lord.

Hamlet    That's a fair thought to lie between maids' legs.

Ophelia    What is, my lord?

Hamlet    Nothing.

Ophelia    You are merry, my lord.

Hamlet    Who, I?

Ophelia    Ay, my lord.

Hamlet    O God, your only jig-maker! What should a man do but be merry? For 
look you how cheerfully my mother looks, and my father died within's two hours.

Ophelia    Nay, 'tis twice two months, my lord.

Hamlet    So long? Nay then, let the devil wear black, for I'll have a suit of 
sables. O heavens! -die two months ago, and not forgotten yet? Then there's 
hope a great man's memory may outlive his life half a year. But, by'rlady, a' 
must build churches then, or else shall a' suffer not thinking on, with the 
hobby-horse, whose epitaph is `For O, for O, the hobby-horse is forgot.'

Hautboys play. The dumb-show enters.

Enter a KING and a QUEEN, very lovingly, the QUEEN embracing him.
She kneels, and makes show of protestation unto him.
He takes her up, and declines his head upon her neck.
He lies him down upon a bank of flowers.
She, seeing him asleep, leaves him.

Anon comes in another MAN, takes off his crown, kisses it, pours poison in the 
sleeper's ears, and leaves him.

The QUEEN returns, finds the KING dead, and makes passionate action.
The POISONER, with some two or three MUTES, comes in again,
seeming to condole with her.

The dead body is carried away.

The POISONER woos the QUEEN with gifts.
She seems harsh awhile, but in the end accepts his love.
[Exeunt.

Ophelia    What means this, my lord?

Hamlet    Marry, this is miching mallecho; it means mischief.

Ophelia    Belike this show imports the argument of the play.

Enter PROLOGUE.

Hamlet    We shall know by this fellow. The players cannot keep counsel; 
they'll tell all.

Ophelia    Will a' tell us what this show meant?

Hamlet    Ay, or any show that you will show him. Be not you ashamed to show, 
he'll not shame to tell you what it means.

Ophelia    You are naught, you are naught. I'll mark the play.

Prologue            For us and for our tragedy,
            Here stooping to your clemency,
            We beg your hearing patiently.
[Exit.
Hamlet    Is this a prologue, or the posy of a ring?

Ophelia    'Tis brief, my lord.

Hamlet    As woman's love.

Enter the PLAYER KING and QUEEN.

Player King    Full thirty times hath Phoebus' cart gone round
    Neptune's salt wash and Tellus' orbed ground,
    And thirty dozen moons with borrowed sheen
    About the world have times twelve thirties been
    Since love our hearts and Hymen did our hands
    Unite commutual in most sacred bands.

Player Queen    So many journeys may the sun and moon
    Make us again count o'er ere love be done.
    But, woe is me, you are so sick of late,
    So far from cheer and from your former state,
    That I distrust you. Yet, though I distrust,
    Discomfort you, my lord, it nothing must;
    For women fear too much, even as they love,
    And women's fear and love hold quantity,
    In neither aught, or in extremity.
    Now, what my love is, proof hath made you know,
    And as my love is sized, my fear is so.
    Where love is great, the littlest doubts are fear;
    Where little fears grow great, great love grows there.

Player King    Faith, I must leave thee, love, and shortly too.
    My operant powers their functions leave to do;
    And thou shalt live in this fair world behind,
    Honoured, beloved; and haply one as kind
    For husband shalt thou - 

Player Queen                                O confound the rest!
    Such love must needs be treason in my breast.
    In second husband let me be accurst;
    None wed the second but who killed the first.

Hamlet    [Aside.] Wormwood, wormwood.

Player Queen    The instances that second marriage move
    Are base respects of thrift, but none of love.
    A second time I kill my husband dead,
    When second husband kisses me in bed.

Player King    I do believe you think what now you speak,
    But what we do determine, oft we break.
    Purpose is but the slave to memory,
    Of violent birth, but poor validity;
    Which now, the fruit unripe, sticks on the tree,
    But fall unshaken when they mellow be.
    Most necessary 'tis that we forget
    To pay ourselves what to ourselves is debt.
    What to ourselves in passion we propose,
    The passion ending, doth the purpose lose.
    The violence of either grief or joy
    Their own enactures with themselves destroy.
    Where joy most revels, grief doth most lament;
    Grief joys, joy grieves, on slender accident.
    This world is not for aye, nor 'tis not strange
    That even our loves should with our fortunes change:
    For 'tis a question left us yet to prove,
    Whether love lead fortune, or else fortune love.
    The great man down, you mark his favourite flies;
    The poor advanced makes friends of enemies.
    And hitherto doth love on fortune tend;
    For who not needs shall never lack a friend,
    And who in want a hollow friend doth try
    Directly seasons him his enemy.
    But, orderly to end where I begun,
    Our wills and fates do so contrary run
    That our devices still are overthrown;
    Our thoughts are ours, their ends none of our own.
    So think thou wilt no second husband wed;
    But die thy thoughts when thy first lord is dead.

Player Queen    Nor earth to me give food, nor heaven light,
    Sport and repose lock from me day and night,
    To desperation turn my trust and hope,
    An anchor's cheer in prison be my scope,
    Each opposite that blanks the face of joy
    Meet what I would have well, and it destroy,
    Both here and hence pursue me lasting strife,
    If, once a widow, ever I be a wife!

Hamlet    If she should break it now!

Player King    'Tis deeply sworn. Sweet, leave me here a while;
    My spirits grow dull, and fain I would beguile
    The tedious day with sleep.
[Sleeps.

Player Queen                                        Sleep rock thy brain,
    And never come mischance between us twain.
[Exit.
Hamlet    [To QUEEN.] Madam, how like you this play?

Queen    The lady doth protest too much, methinks.

Hamlet    O, but she'll keep her word.

King    Have you heard the argument? Is there no offence in't?

Hamlet    No, no, they do but jest, poison in jest; no offence i'th' world.

King    What do you call the play?

Hamlet    The Mousetrap. Marry, how tropically! This play is the image of a 
murder done in Vienna. Gonzago is the duke's name, his wife, Baptista. You 
shall see anon. 'Tis a knavish piece of work, but what o' that? Your majesty, 
and we that have free souls, it touches us not. Let the galled jade wince, our 
withers are unwrung.

Enter LUCIANUS.

    This is one Lucianus, nephew to the king.

Ophelia    You are as good as a chorus, my lord.

Hamlet    I could interpret between you and your love if I could see the 
puppets dallying.

Ophelia    You are keen, my lord, you are keen.

Hamlet    It would cost you a groaning to take off my edge.

Ophelia    Still better, and worse.

Hamlet    So you mistake your husbands. [To LUCIANUS.] Begin, murderer. Pox, 
leave thy damnable faces, and begin. Come, the croaking raven doth bellow for 
revenge.

Lucianus    Thoughts black, hands apt, drugs fit, and time agreeing;
    Confederate season, else no creature seeing;
    Thou mixture rank, of midnight weeds collected,
    With Hecate's ban thrice blasted, thrice infected,
    Thy natural magic and dire property
    On wholesome life usurps immediately.
[Pours the poison into the sleeper's ear.

Hamlet    A' poisons him i'th' garden for's estate. His name's Gonzago. The 
story is extant, and written in very choice Italian. You shall see anon how 
the murderer gets the love of Gonzago's wife.

Ophelia    The king rises.

Hamlet    What, frighted with false fire?

Queen    How fares my lord?

Polonius    Give o'er the play.

King    Give me some light. Away!

Polonius    Lights, lights, lights!
[Exeunt all but HAMLET and HORATIO.

Hamlet    Why, let the strucken deer go weep,
        The hart ungalled play;
    For some must watch, while some must sleep;
        So runs the world away.

    Would not this, sir, and a forest of feathers -if the rest of my fortunes 
turn Turk with me -with two Provincial roses on my razed shoes, get me a 
fellowship in a cry of players?

Horatio    Half a share.

Hamlet    A whole one, I.

    For thou dost know, O Damon dear,
        This realm dismantled was
    Of Jove himself; and now reigns here
        A very, very -pacock.

Horatio    You might have rhymed.

Hamlet    O good Horatio, I'll take the ghost's word for a thousand pound. 
Didst perceive?

Horatio    Very well, my lord.

Hamlet    Upon the talk of the poisoning?

Horatio    I did very well note him.

Hamlet    Ah, ha! Come, some music! Come, the recorders!
        For if the king like not the comedy,
        Why then, belike he likes it not, perdy.
    Come, some music!

Re-enter ROSENCRANTZ and GUILDENSTERN.

Guildenstern    Good my lord, vouchsafe me a word with you.

Hamlet    Sir, a whole history.

Guildenstern    The king, sir - 

Hamlet    Ay, sir, what of him?

Guildenstern    Is in his retirement marvellous distempered.

Hamlet    With drink, sir?

Guildenstern    No, my lord, rather with choler.

Hamlet    Your wisdom should show itself more richer to signify this to the 
doctor; for, for me to put him to his purgation would perhaps plunge him into 
far more choler.

Guildenstern    Good my lord, put your discourse into some frame, and start 
not so wildly from my affair.

Hamlet    I am tame, sir. Pronounce.

Guildenstern    The queen your mother, in most great affliction of spirit, 
hath sent me to you.

Hamlet    You are welcome.

Guildenstern    Nay, good my lord, this courtesy is not of the right breed. If 
it shall please you to make me a wholesome answer, I will do your mother's 
commandment; if not, your pardon and my return shall be the end of business.

Hamlet    Sir, I cannot.


Guildenstern    What, my lord?

Hamlet    Make you a wholesome answer. My wit's diseased. But, sir, such 
answer as I can make, you shall command, or rather, as you say, my mother. 
Therefore no more, but to the matter. My mother, you say? 

Rosencrantz    Then thus she says: your behaviour hath struck her into 
amazement and admiration.

Hamlet    O wonderful son that can so 'stonish a mother! But is there no 
sequel at the heels of this mother's admiration? Impart.

Rosencrantz    She desires to speak with you in her closet ere you go to bed.

Hamlet    We shall obey, were she ten times our mother. Have you any further 
trade with us?

Rosencrantz    My lord, you once did love me.

Hamlet    So I do still, by these pickers and stealers.

Rosencrantz    Good my lord, what is your cause of distemper? You do surely 
bar the door upon your own liberty if you deny your griefs to your friend.

Hamlet    Sir, I lack advancement.

Rosencrantz    How can that be when you have the voice of the king himself for 
your succession in Denmark?

Hamlet    Ay, sir, but `While the grass grows' -the proverb is something musty.

Re-enter PLAYERS, with recorders.

    O, the recorders! Let me see one.
    [Drawing ROSENCRANTZ and GUILDENSTERN aside.] To withdraw with you -why do 
you go about to recover the wind of me, as if you would drive me into a toil?

Guildenstern    O my lord, if my duty be too bold, my love is too unmannerly.

Hamlet    I do not well understand that. Will you play upon this pipe?

Guildenstern    My lord, I cannot.

Hamlet    I pray you.

Guildenstern    Believe me, I cannot.

Hamlet    I do beseech you.

Guildenstern    I know no touch of it, my lord.

Hamlet    'Tis as easy as lying. Govern these ventages with your fingers and 
thumb, give it breath with your mouth, and it will discourse most eloquent 
music. Look you, these are the stops.

Guildenstern    But these cannot I command to any utterance of harmony; I have 
not the skill.

Hamlet    Why, look you now how unworthy a thing you make of me! You would 
play upon me, you would seem to know my stops, you would pluck out the heart 
of my mystery, you would sound me from my lowest note to the top of my 
compass; and there is much music, excellent voice, in this little organ, yet 
cannot you make it speak. 'Sblood, do you think I am easier to be played on 
than a pipe? Call me what instrument you will, though you can fret me, yet you 
cannot play upon me.

Re-enter POLONIUS.

    God bless you, sir!

Polonius    My lord, the queen would speak with you, and presently.

Hamlet    Do you see yonder cloud that's almost in shape of a camel?

Polonius    By th' mass and 'tis, like a camel indeed.

Hamlet    Methinks it is like a weasel.

Polonius    It is backed like a weasel.

Hamlet    Or like a whale.

Polonius    Very like a whale.

Hamlet    Then I will come to my mother by and by. [Aside.] They fool me to 
the top of my bent. [To POLONIUS.] I will come by and by.

Polonius    I will say so.
[Exit.

Hamlet    `By and by' is easily said. Leave me, friends.
[Exeunt all but HAMLET.
    'Tis now the very witching time of night,
    When churchyards yawn, and hell itself breathes out
    Contagion to this world. Now could I drink hot blood,
    And do such bitter business as the day
    Would quake to look on. Soft! -now to my mother.
    O heart, lose not thy nature; let not ever
    The soul of Nero enter this firm bosom.
    Let me be cruel, not unnatural:
    I will speak daggers to her, but use none.
    My tongue and soul in this be hypocrites:
    How in my words soever she be shent,
    To give them seals never my soul consent!
[Exit.

+ + + + + +

Scene 3. A Room in the Castle.

Enter KING, ROSENCRANTZ, and GUILDENSTERN.

King    I like him not, nor stands it safe with us
    To let his madness range. Therefore prepare you;
    I your commission will forthwith dispatch,
    And he to England shall along with you.
    The terms of our estate may not endure
    Hazard so near us as doth hourly grow
    Out of his brows.

Guildenstern                    We will ourselves provide.
    Most holy and religious fear it is
    To keep those many many bodies safe
    That live and feed upon your majesty.

Rosencrantz    The single and peculiar life is bound
    With all the strength and armour of the mind
    To keep itself from noyance; but much more
    That spirit upon whose weal depends and rests
    The lives of many. The cease of majesty
    Dies not alone, but like a gulf doth draw
    What's near it with it. Or it is a massy wheel
    Fixed on the summit of the highest mount,
    To whose huge spokes ten thousand lesser things
    Are mortised and adjoined, which, when it falls,
    Each small annexment, petty consequence,
    Attends the boist'rous ruin. Never alone
    Did the king sigh, but with a general groan.

King    Arm you, I pray you, to this speedy voyage,
    For we will fetters put about this fear
    Which now goes too free-footed.

Rosencrantz                                We will haste us.
[Exeunt ROSENCRANTZ and GUILDENSTERN.

Enter POLONIUS.

Polonius    My lord, he's going to his mother's closet.
    Behind the arras I'll convey myself
    To hear the process. I'll warrant she'll tax him home;
    And, as you said -and wisely was it said - 
    'Tis meet that some more audience than a mother,
    Since nature makes them partial, should o'erhear
    The speech of vantage. Fare you well, my liege.
    I'll call upon you ere you go to bed,
    And tell you what I know.

King                                Thanks, dear my lord.
[Exit POLONIUS.
    O, my offence is rank, it smells to heaven.
    It hath the primal eldest curse upon't,
    A brother's murder! Pray can I not,
    Though inclination be as sharp as will,
    My stronger guilt defeats my strong intent,
    And like a man to double business bound
    I stand in pause where I shall first begin,
    And both neglect. What if this cursed hand
    Were thicker than itself with brother's blood,
    Is there not rain enough in the sweet heavens
    To wash it white as snow? Whereto serves mercy
    But to confront the visage of offence?
    And what's in prayer but this twofold force,
    To be forestalled ere we come to fall,
    Or pardoned being down? Then I'll look up;
    My fault is past. But O, what form of prayer
    Can serve my turn? `Forgive me my foul murder'?
    That cannot be, since I am still possessed
    Of those effects for which I did the murder - 
    My crown, mine own ambition, and my queen.
    May one be pardoned and retain th' offence?
    In the corrupted currents of this world
    Offence's gilded hand may shove by justice,
    And oft 'tis seen the wicked prize itself
    Buys out the law. But 'tis not so above:
    There is no shuffling, there the action lies
    In his true nature, and we ourselves compelled
    Even to the teeth and forehead of our faults
    To give in evidence. What then? What rests?
    Try what repentance can. What can it not?
    Yet what can it when one can not repent?
    O wretched state! O bosom black as death!
    O limed soul that struggling to be free
    Art more engaged! Help, angels! Make assay!
    Bow, stubborn knees; and heart, with strings of steel,
    Be soft as sinews of the new-born babe.
    All may be well.
[Kneels.
Enter HAMLET, behind.

Hamlet    Now might I do it pat, now a' is a-praying.
    And now I'll do't,
[Drawing his sword.
                            and so a' goes to heaven;
    And so am I revenged. That would be scanned:
    A villain kills my father, and for that
    I, his sole son, do this same villain send
    To heaven.
    O, this is hire and salary, not revenge.
    A' took my father grossly, full of bread,
    With all his crimes broad blown, as flush as May;
    And how his audit stands who knows save heaven?
    But in our circumstance and course of thought
    'Tis heavy with him; and am I then revenged
    To take him in the purging of his soul,
    When he is fit and seasoned for his passage?
    No.
[Sheathing his sword.
    Up, sword, and know thou a more horrid hent:
    When he is drunk asleep, or in his rage,
    Or in th' incestuous pleasure of his bed,
    At gaming, swearing, or about some act
    That has no relish of salvation in't,
    Then trip him that his heels may kick at heaven,
    And that his soul may be as damned and black
    As hell, whereto it goes. My mother stays.
    This physic but prolongs thy sickly days.
[Exit.
King    [Rising.] My words fly up, my thoughts remain below.
    Words without thoughts never to heaven go.
[Exit.

+ + + + + +

Scene 4. The Queen's closet.

Enter QUEEN and POLONIUS.

Polonius    A' will come straight. Look you lay home to him,
    Tell him his pranks have been too broad to bear with,
    And that your grace hath screened and stood between
    Much heat and him. I'll silence me e'en here.
    Pray you, be round with him.

Hamlet    [Within.] Mother, mother, mother!

Queen    I'll warrant you; fear me not. Withdraw, I hear him coming.
[POLONIUS hides behind the arras.

Enter HAMLET.

Hamlet    Now, mother, what's the matter?

Queen    Hamlet, thou hast thy father much offended.

Hamlet    Mother, you have my father much offended.

Queen    Come, come, you answer with an idle tongue.

Hamlet    Go, go, you question with a wicked tongue.

Queen    Why, how now, Hamlet!

Hamlet                                What's the matter now?

Queen    Have you forgot me?

Hamlet                            No, by the rood, not so.
    You are the queen, your husband's brother's wife,
    And, would it were not so, you are my mother.

Queen    Nay, then, I'll set those to you that can speak.

Hamlet    Come, come, and sit you down. You shall not budge;
    You go not till I set you up a glass
    Where you may see the inmost part of you.

Queen    What wilt thou do? Thou wilt not murder me?
    Help, help, ho!

Polonius    [Behind the arras.] What, ho! Help, help, help!

Hamlet    [Drawing.] How now, aA rat? Dead for a ducat, dead!
[Thrusting his sword through the arras.

Polonius    [Behind the arras.]
    O, I am slain!
[Dies.
Queen                        O me, what hast thou done?

Hamlet    Nay, I know not. Is it the king?

Queen    O what a rash and bloody deed is this!

Hamlet    A bloody deed; almost as bad, good mother,
    As kill a king and marry with his brother.

Queen    As kill a king?

Hamlet                    Ay, lady, 'twas my word.
[Lifts up the arras and discovers POLONIUS.
    Thou wretched, rash, intruding fool, farewell.
    I took thee for thy better. Take thy fortune;
    Thou find'st to be too busy is some danger.
    [To QUEEN.]
    Leave wringing of your hands. Peace! Sit you down;
    And let me wring your heart, for so I shall
    If it be made of penetrable stuff;
    If damned custom have not brazed it so
    That it be proof and bulwark against sense.

Queen    What have I done that thou dar'st wag thy tongue
    In noise so rude against me?

Hamlet                                        Such an act
    That blurs the grace and blush of modesty,
    Calls virtue hypocrite, takes off the rose
    From the fair forehead of an innocent love
    And sets a blister there, makes marriage vows
    As false as dicers' oaths. O, such a deed
    As from the body of contraction plucks
    The very soul, and sweet religion makes
    A rhapsody of words. Heaven's face doth glow
    O'er this solidity and compound mass
    With tristful visage, as against the doom,
    Is thought-sick at the act.

Queen                                        Ay me, what act,
    That roars so loud and thunders in the index?

Hamlet    Look here upon this picture, and on this,
    The counterfeit presentment of two brothers.
    See what a grace was seated on this brow - 
    Hyperion's curls, the front of Jove himself,
    An eye like Mars, to threaten and command,
    A station like the herald Mercury
    New-lighted on a heaven-kissing hill;
    A combination and a form indeed
    Where every god did seem to set his seal
    To give the world assurance of a man.
    This was your husband. Look you now what follows:
    Here is your husband, like a mildewed ear
    Blasting his wholesome brother. Have you eyes?
    Could you on this fair mountain leave to feed,
    And batten on this moor? Ha, have you eyes?
    You cannot call it love, for at your age
    The heyday in the blood is tame, it's humble,
    And waits upon the judgement; and what judgement
    Would step from this to this? Sense sure you have,
    Else could you not have motion; but sure that sense
    Is apoplexed, for madness would not err,
    Nor sense to ecstasy was ne'er so thralled
    But it reserved some quantity of choice
    To serve in such a difference. What devil was't
    That thus hath cozened you at hoodman-blind?
    Eyes without feeling, feeling without sight,
    Ears without hands or eyes, smelling sans all,
    Or but a sickly part of one true sense
    Could not so mope.
    O shame, where is thy blush? Rebellious hell,
    If thou canst mutine in a matron's bones,
    To flaming youth let virtue be as wax
    And melt in her own fire; proclaim no shame
    When the compulsive ardour gives the charge,
    Since frost itself as actively doth burn,
    And reason panders will.

Queen                                O Hamlet, speak no more.
    Thou turn'st mine eyes into my very soul,
    And there I see such black and grained spots
    As will not leave their tinct.

Hamlet                                        Nay, but to live
    In the rank sweat of an enseamed bed,
    Stewed in corruption, honeying and making love
    Over the nasty sty - 

Queen                            O, speak to me no more!
    These words like daggers enter in my ears.
    No more, sweet Hamlet.

Hamlet                                    A murderer and a villain,
    A slave that is not twentieth part the tithe
    Of your precedent lord, a vice of kings,
    A cutpurse of the empire and the rule,
    That from a shelf the precious diadem stole
    And put it in his pocket - 

Queen    No more!

Hamlet    A king of shreds and patches - 

Enter GHOST.

    Save me and hover o'er me with your wings,
    You heavenly guards!
                [To GHOST.] What would your gracious figure?

Queen    Alas, he's mad!

Hamlet    [To GHOST.] Do you not come your tardy son to chide,
    That, lapsed in time and passion, lets go by
    Th' important acting of your dread command?
    O, say!

Ghost            Do not forget. This visitation
    Is but to whet thy almost blunted purpose.
    But look, amazement on thy mother sits.
    O, step between her and her fighting soul.
    Conceit in weakest bodies strongest works.
    Speak to her, Hamlet.

Hamlet    How is it with you, lady?

Queen                                    Alas, how is't with you,
    That you do bend your eye on vacancy,
    And with th' incorporal air do hold discourse?
    Forth at your eyes your spirits wildly peep,
    And, as the sleeping soldiers in th' alarm,
    Your bedded hair, like life in excrements,
    Start up and stand an end. O gentle son,
    Upon the heat and flame of thy distemper
    Sprinkle cool patience. Whereon do you look?

Hamlet    On him, on him. Look you how pale he glares.
    His form and cause conjoined, preaching to stones,
    Would make them capable. [To GHOST.] Do not look upon me,
    Lest with this piteous action you convert
    My stern effects; then what I have to do
    Will want true colour -tears perchance for blood.

Queen    To whom do you speak this?

Hamlet    Do you see nothing there?

Queen    Nothing at all; yet all that is I see.

Hamlet    Nor did you nothing hear?

Queen                                No, nothing but ourselves.

Hamlet    Why, look you there. Look how it steals away.
    My father, in his habit as he lived.
    Look, where he goes even now out at the portal.
[Exit GHOST.
Queen    This is the very coinage of your brain.
    This bodiless creation ecstasy
    Is very cunning in.

Hamlet                            Ecstasy!
    My pulse as yours doth temperately keep time,
    And makes as healthful music. It is not madness
    That I have uttered. Bring me to the test,
    And I the matter will re-word, which madness
    Would gambol from. Mother, for love of grace,
    Lay not that flattering unction to your soul
    That not your trespass but my madness speaks.
    It will but skin and film the ulcerous place
    Whiles rank corruption, mining all within,
    Infects unseen. Confess yourself to heaven,
    Repent what's past, avoid what is to come,
    And do not spread the compost on the weeds
    To make them ranker. Forgive me this my virtue,
    For in the fatness of these pursy times
    Virtue itself of vice must pardon beg,
    Yea, curb and woo for leave to do him good.

Queen    O Hamlet, thou hast cleft my heart in twain.

Hamlet    O, throw away the worser part of it,
    And live the purer with the other half.
    Good night: but go not to my uncle's bed.
    Assume a virtue if you have it not.
    That monster, custom, who all sense doth eat,
    Of habits devil, is angel yet in this,
    That to the use of actions fair and good
    He likewise gives a frock or livery
    That aptly is put on. Refrain tonight,
    And that shall lend a kind of easiness
    To the next abstinence, the next more easy;
    For use almost can change the stamp of nature,
    And either house the devil, or throw him out
    With wondrous potency. Once more, good night.
    And when you are desirous to be blest,
    I'll blessing beg of you.
        [Pointing to POLONIUS.] For this same lord
    I do repent; but heaven hath pleased it so
    To punish me with this, and this with me,
    That I must be their scourge and minister.
    I will bestow him, and will answer well
    The death I gave him. So, again, good night.
    I must be cruel only to be kind.
    This bad begins, and worse remains behind.
    One word more, good lady.

Queen                                    What shall I do?

Hamlet    Not this, by no means, that I bid you do:
    Let the bloat king tempt you again to bed,
    Pinch wanton on your cheek, call you his mouse,
    And let him, for a pair of reechy kisses
    Or paddling in your neck with his damned fingers,
    Make you to ravel all this matter out,
    That I essentially am not in madness,
    But mad in craft. 'Twere good you let him know;
    For who that's but a queen, fair, sober, wise,
    Would from a paddock, from a bat, a gib,
    Such dear concernings hide? Who would do so?
    No, in despite of sense and secrecy,
    Unpeg the basket on the house's top,
    Let the birds fly, and, like the famous ape,
    To try conclusions, in the basket creep
    And break your own neck down.

Queen    Be thou assured, if words be made of breath
    And breath of life, I have no life to breathe
    What thou hast said to me.

Hamlet    I must to England; you know that?

Queen                                        Alack,
    I had forgot. 'Tis so concluded on.

Hamlet    There's letters sealed, and my two schoolfellows,
    Whom I will trust as I will adders fanged,
    They bear the mandate; they must sweep my way
    And marshal me to knavery. Let it work,
    For 'tis the sport to have the engineer
    Hoist with his own petard; and't shall go hard
    But I will delve one yard below their mines
    And blow them at the moon. O, 'tis most sweet
    When in one line two crafts directly meet.
    This man shall set me packing.
    I'll lug the guts into the neighbour room.
    Mother, good night indeed. This counsellor
    Is now most still, most secret, and most grave,
    Who was in life a foolish prating knave.
    Come, sir, to draw toward an end with you.
    Good night, mother.
[Exit HAMLET with the dead body. The QUEEN remains.


ITALIC ON[+++ +++ +++ +++ +++ +++]


ITALIC ONITALIC OFF[ACT 4.]

Scene 1. The Queen's Closet.

Enter, to the QUEEN, the KING, with ROSENCRANTZ and GUILDENSTERN.

King    There's matter in these sighs, these profound heaves;
    You must translate, 'tis fit we understand them.
    Where is your son?

Queen    Bestow this place on us a little while.
[Exeunt ROSENCRANTZ and GUILDENSTERN.
    Ah, mine own lord, what have I seen tonight!

King    What, Gertrude? How does Hamlet?

Queen    Mad as the sea and wind when both contend
    Which is the mightier. In his lawless fit,
    Behind the arras hearing something stir,
    Whips out his rapier, cries `A rat, a rat!'
    And in this brainish apprehension kills
    The unseen good old man.

King                                    O heavy deed!
    It had been so with us had we been there.
    His liberty is full of threats to all,
    To you yourself, to us, to every one.
    Alas, how shall this bloody deed be answered?
    It will be laid to us, whose providence
    Should have kept short, restrained, and out of haunt,
    This mad young man. But so much was our love,
    We would not understand what was most fit,
    But, like the owner of a foul disease,
    To keep it from divulging, let it feed
    Even on the pith of life. Where is he gone?

Queen    To draw apart the body he hath killed,
    O'er whom -his very madness, like some ore
    Among a mineral of metals base,
    Shows itself pure -a' weeps for what is done.

King    O Gertrude, come away!
    The sun no sooner shall the mountains touch
    But we will ship him hence; and this vile deed
    We must, with all our majesty and skill,
    Both countenance and excuse. Ho, Guildenstern!

Re-enter ROSENCRANTZ and GUILDENSTERN.

    Friends both, go join you with some further aid.
    Hamlet in madness hath Polonius slain,
    And from his mother's closet hath he dragged him.
    Go seek him out, speak fair, and bring the body
    Into the chapel. I pray you, haste in this.
[Exeunt ROSENCRANTZ and GUILDENSTERN.
    Come, Gertrude, we'll call up our wisest friends
    And let them know both what we mean to do
    And what's untimely done. So, haply, slander,
    Whose whisper o'er the world's diameter,
    As level as the cannon to his blank,
    Transports his poisoned shot, may miss our name
    And hit the woundless air. O, come away.
    My soul is full of discord and dismay.
[Exeunt.

+ + + + + +

Scene 2. Another Room in the Castle.

Enter HAMLET.

Hamlet    Safely stowed.

Rosencrantz &
Guildenstern    [Within.] Hamlet! Lord Hamlet!

Hamlet    What noise? Who calls on Hamlet?

Enter ROSENCRANTZ and GUILDENSTERN.

                                        O, here they come.

Rosencrantz    What have you done, my lord, with the dead body?

Hamlet    Compounded it with dust, whereto 'tis kin.

Rosencrantz    Tell us where 'tis, that we may take it thence
    And bear it to the chapel.

Hamlet    Do not believe it.

Rosencrantz    Believe what?

Hamlet    That I can keep your counsel and not mine own. Besides, to be 
demanded of a sponge -what replication should be made by the son of a king?

Rosencrantz    Take you me for a sponge, my lord?

Hamlet    Ay, sir, that soaks up the king's countenance, his rewards, his 
authorities. But such officers do the king best service in the end. He keeps 
them, like an ape, in the corner of his jaw, first mouthed to be last 
swallowed. When he needs what you have gleaned, it is but squeezing you, and, 
sponge, you shall be dry again.

Rosencrantz    I understand you not, my lord.

Hamlet    I am glad of it. A knavish speech sleeps in a foolish ear.

Rosencrantz    My lord, you must tell us where the body is, and go with us to 
the king.

Hamlet    The body is with the king, but the king is not with the body. The 
king is a thing - 

Guildenstern    A thing, my lord?

Hamlet    Of nothing. Bring me to him. Hide fox, and all after.
[Exeunt.

+ + + + + +

Scene 3. Another Room in the Castle.

Enter KING, with two or three LORDS.

King    I have sent to seek him, and to find the body.
    How dangerous is it that this man goes loose!
    Yet must not we put the strong law on him:
    He's loved of the distracted multitude,
    Who like not in their judgement, but their eyes;
    And where 'tis so, th' offender's scourge is weighed,
    But never the offence. To bear all smooth and even,
    This sudden sending him away must seem
    Deliberate pause. Diseases desperate grown
    By desperate appliance are relieved,
    Or not at all.

Enter ROSENCRANTZ.

                            How now! What hath befall'n?

Rosencrantz    Where the dead body is bestowed, my lord,
    We cannot get from him.

King                                    But where is he?

Rosencrantz    Without, my lord, guarded to know your pleasure.

King    Bring him before us.

Rosencrantz    Ho, Guildenstern! Bring in the lord.

Enter GUILDENSTERN with HAMLET.

King    Now, Hamlet, where's Polonius?

Hamlet    At supper.

King    At supper! Where?

Hamlet    Not where he eats, but where he is eaten. A certain convocation of 
politic worms are e'en at him. Your worm is your only emperor for diet. We fat 
all creatures else to fat us, and we fat ourselves for maggots; your fat king 
and your lean beggar is but variable service -two dishes, but to one table: 
that's the end.

King    Alas, alas!

Hamlet    A man may fish with the worm that hath eat of a king, and eat of the 
fish that hath fed of that worm.

King     What dost thou mean by this?

Hamlet    Nothing but to show you how a king may go a progress through the 
guts of a beggar.

King    Where is Polonius?

Hamlet    In heaven; send thither to see. If your messenger find him not 
there, seek him i'th' other place yourself. But if indeed you find him not 
within this month, you shall nose him as you go up the stairs into the lobby.

King    [To some LORDS.] Go seek him there.

Hamlet    A' will stay till you come.
[Exeunt LORDS.

King    Hamlet, this deed, for thine especial safety - 
    Which we do tender, as we dearly grieve
    For that which thou hast done -must send thee hence
    With fiery quickness. Therefore prepare thyself.
    The bark is ready, and the wind at help,
    Th' associates tend, and everything is bent
    For England.

Hamlet    For England?

King    Ay, Hamlet.

Hamlet    Good.

King    So is it, if thou knew'st our purposes.

Hamlet    I see a cherub that sees them. But come, for England. Farewell, dear 
mother.

King    Thy loving father, Hamlet.

Hamlet    My mother. Father and mother is man and wife, man and wife is one 
flesh, and so -my mother. Come, for England.
[Exit.

King    [To ROSENCRANTZ and GUILDENSTERN.]
    Follow him at foot; tempt him with speed aboard.
    Delay it not; I'll have him hence tonight.
    Away! -for everything is sealed and done
    That else leans on th' affair. Pray you, make haste.
[Exeunt ROSENCRANTZ and GUILDENSTERN.
    And, England, if my love thou hold'st at aught - 
    As my great power thereof may give thee sense,
    Since yet thy cicatrice looks raw and red
    After the Danish sword, and thy free awe
    Pays homage to us -thou mayst not coldly set
    Our sovereign process, which imports at full,
    By letters congruing to that effect,
    The present death of Hamlet. Do it, England;
    For like the hectic in my blood he rages,
    And thou must cure me. Till I know 'tis done,
    Howe'er my haps, my joys were ne'er begun.
[Exit.

+ + + + + +

Scene 4. A Plain in Denmark.

Enter FORTINBRAS, A CAPTAIN, and SOLDIERS marching.

Fortinbras    Go, captain, from me greet the Danish king.
    Tell him that by his licence Fortinbras
    Craves the conveyance of a promised march
    Over his kingdom. You know the rendezvous.
    If that his majesty would aught with us,
    We shall express our duty in his eye;
    And let him know so.

Captain                            I will do't, my lord.

Fortinbras    Go softly on.
[Exeunt FORTINBRAS and SOLDIERS.

Enter HAMLET, ROSENCRANTZ, GUILDENSTERN, and OTHERS.

Hamlet    Good sir, whose powers are these?

Captain    They are of Norway, sir.

Hamlet    How purposed, sir, I pray you?

Captain    Against some part of Poland.

Hamlet    Who commands them, sir?

Captain    The nephew to old Norway, Fortinbras.

Hamlet    Goes it against the main of Poland, sir,
    Or for some frontier?

Captain    Truly to speak, and with no addition,
    We go to gain a little patch of ground
    That hath in it no profit but the name.
    To pay five ducats, five, I would not farm it;
    Nor will it yield to Norway or the Pole
    A ranker rate should it be sold in fee.

Hamlet    Why, then the Polack never will defend it.

Captain    Yes, it is already garrisoned.

Hamlet    Two thousand souls and twenty thousand ducats
    Will not debate the question of this straw.
    This is th' impostume of much wealth and peace,
    That inward breaks, and shows no cause without
    Why the man dies. I humbly thank you, sir.

Captain    God-buy-you, sir.
[Exit.
Rosencrantz                            Will't please you go, my lord?

Hamlet    I'll be with you straight; go a little before.
[Exeunt all but HAMLET.
    How all occasions do inform against me,
    And spur my dull revenge! What is a man
    If his chief good and market of his time
    Be but to sleep and feed? A beast, no more.
    Sure, he that made us with such large discourse,
    Looking before and after, gave us not
    That capability and godlike reason
    To fust in us unused. Now, whether it be
    Bestial oblivion, or some craven scruple
    Of thinking too precisely on th' event - 
    A thought which, quartered, hath but one part wisdom
    And ever three parts coward -I do not know
    Why yet I live to say `This thing's to do',
    Sith I have cause, and will, and strength, and means,
    To do't. Examples gross as earth exhort me;
    Witness this army of such mass and charge,
    Led by a delicate and tender prince,
    Whose spirit with divine ambition puffed
    Makes mouths at the invisible event,
    Exposing what is mortal and unsure
    To all that fortune, death, and danger dare,
    Even for an eggshell. Rightly to be great
    Is not to stir without great argument,
    But greatly to find quarrel in a straw
    When honour's at the stake. How stand I then,
    That have a father killed, a mother stained,
    Excitements of my reason and my blood,
    And let all sleep, while, to my shame, I see
    The imminent death of twenty thousand men
    That, for a fantasy and trick of fame,
    Go to their graves like beds, fight for a plot
    Whereon the numbers cannot try the cause,
    Which is not tomb enough and continent
    To hide the slain? O, from this time forth,
    My thoughts be bloody, or be nothing worth!
[Exit.

+ + + + + +

Scene 5. Elsinore. A Room in the Castle.

Enter QUEEN, HORATIO, and A GENTLEMAN.

Queen    I will not speak with her.

Gentleman                                    She is importunate,
    Indeed distract. Her mood will needs be pitied.

Queen    What would she have?

Gentleman    She speaks much of her father, says she hears
    There's tricks i'th' world, and hems and beats her heart,
    Spurns enviously at straws, speaks things in doubt
    That carry but half sense. Her speech is nothing,
    Yet the unshaped use of it doth move
    The hearers to collection; they aim at it,
    And botch the words up fit to their own thoughts,
    Which, as her winks and nods and gestures yield them,
    Indeed would make one think there might be thought,
    Though nothing sure, yet much unhappily.

Horatio    'Twere good she were spoken with, for she may strew
    Dangerous conjectures in ill-breeding minds.

Queen    Let her come in.
[Exit GENTLEMAN.
    [Aside.] To my sick soul, as sin's true nature is,
    Each toy seems prologue to some great amiss.
    So full of artless jealousy is guilt,
    It spills itself in fearing to be spilt.

Enter OPHELIA, distracted, with a lute.

Ophelia    Where is the beauteous majesty of Denmark?

Queen    How now, Ophelia?

Ophelia    [Sings.]    How should I your true love know
                    From another one?
                By his cockle hat and staff,
                    And his sandal shoon.

Queen    Alas, sweet lady, what imports this song?

Ophelia    Say you? Nay, pray you, mark.

    [Sings.]    He is dead and gone, lady,
                    He is dead and gone:
                At his head a grass-green turf,
                    At his heels a stone.

    O ho!

Queen    Nay, but Ophelia - 

Ophelia    Pray you, mark.

    [Sings.]    White his shroud as the mountain snow - 

Enter KING.

Queen    Alas, look here, my lord.

Ophelia    [Sings.]        Larded all with sweet flowers,

                Which bewept to the grave did not go
                    With true-love showers.

King    How do you, pretty lady?

Ophelia    Well, God-dild you! They say the owl was a baker's daughter. Lord, 
we know what we are, but know not what we may be. God be at your table!

King    Conceit upon her father.

Ophelia    Pray, let's have no words of this, but when they ask you what it 
means, say you this:

    [Sings.]    Tomorrow is Saint Valentine's day,
                    All in the morning betime,
                And I a maid at your window,
                    To be your Valentine.

                Then up he rose, and donned his clothes,
                    And dupped the chamber-door;
                Let in the maid, that out a maid
                    Never departed more.

King    Pretty Ophelia!

Ophelia    Indeed la; without an oath, I'll make an end on't:

    [Sings.]    By Gis and by Saint Charity,
                    Alack, and fie for shame!
                Young men will do't, if they come to't,
                    By Cock, they are to blame.

                Quoth she `Before you tumbled me,
                    You promised me to wed.'
    He answers,
                `So would I ha' done, by yonder sun,
                    An thou hadst not come to my bed.'

King    How long hath she been thus?

Ophelia    I hope all will be well. We must be patient; but I cannot choose 
but weep to think they would lay him i'th' cold ground. My brother shall know 
of it. And so I thank you for your good counsel. Come, my coach! Good night, 
ladies, good night; sweet ladies, good night, good night.
[Exit.
King    Follow her close; give her good watch, I pray you.
[Exit HORATIO.

    O, this is the poison of deep grief. It springs
    All from her father's death, and now behold!
    O Gertrude, Gertrude,
    When sorrows come, they come not single spies,
    But in battalions. First, her father slain;
    Next, your son gone, and he most violent author
    Of his own just remove; the people muddied,

    Thick and unwholesome in their thoughts and whispers
    For good Polonius' death; and we have done but greenly
    In hugger-mugger to inter him; poor Ophelia
    Divided from herself and her fair judgement,
    Without the which we are pictures, or mere beasts;
    Last, and as much containing as all these,
    Her brother is in secret come from France,
    Feeds on this wonder, keeps himself in clouds,
    And wants not buzzers to infect his ear
    With pestilent speeches of his father's death;
    Wherein necessity, of matter beggared,
    Will nothing stick our person to arraign
    In ear and ear. O my dear Gertrude, this,
    Like to a murd'ring-piece, in many places
    Gives me superfluous death.
[A noise within.
Queen                                    Alack, what noise is this?

King    Attend! Where is my Switzers? Let them guard the door.

Enter A MESSENGER.

    What is the matter?

Messenger                            Save yourself, my lord!
    The ocean, overpeering of his list,
    Eats not the flats with more impetuous haste
    Than young Laertes in a riotous head
    O'erbears your officers. The rabble call him lord,
    And, as the world were now but to begin,
    Antiquity forgot, custom not known,
    The ratifiers and props of every word,
    They cry `Choose we! Laertes shall be king!'
    Caps, hands, and tongues applaud it to the clouds,
    `Laertes shall be king, Laertes king!'

Queen    How cheerfully on the false trail they cry!
[Noise within.
    O, this is counter, you false Danish dogs!

King    The doors are broke.

Enter LAERTES, armed; DANES following.

Laertes    Where is the king? Sirs, stand you all without.

Danes    No, let's come in.

Laertes    I pray you, give me leave.

Danes    We will, we will.

Laertes    I thank you. Keep the door.
[Exeunt DANES.
                                O thou vile king,
    Give me my father.

Queen    [Holding LAERTES.]    Calmly, good Laertes.

Laertes    That drop of blood that's calm proclaims me bastard,
    Cries cuckold to my father, brands the harlot
    Even here, between the chaste unsmirched brow
    Of my true mother.

King                        What is the cause, Laertes,
    That thy rebellion looks so giant-like?
    Let him go, Gertrude; do not fear our person.
    There's such divinity doth hedge a king,
    That treason can but peep to what it would,
    Acts little of his will. Tell me, Laertes,
    Why thou art thus incensed. Let him go, Gertrude.
    Speak, man.

Laertes            Where is my father?

King                                Dead.

Queen                                        But not by him.

King    Let him demand his fill.

Laertes    How came he dead? -I'll not be juggled with.
    To hell, allegiance! Vows, to the blackest devil!
    Conscience and grace, to the profoundest pit!
    I dare damnation. To this point I stand,
    That both the worlds I give to negligence,
    Let come what comes; only I'll be revenged
    Most throughly for my father.

King    Who shall stay you?

Laertes    My will, not all the world's.
    And for my means, I'll husband them so well
    They shall go far with little.

King                                        Good Laertes,
    If you desire to know the certainty
    Of your dear father's death, is't writ in your revenge
    That, sweepstake, you will draw both friend and foe,
    Winner and loser?

Laertes                        None but his enemies.

King    Will you know them then?

Laertes    To his good friends thus wide I'll ope my arms,
    And, like the kind life-rend'ring pelican,
    Repast them with my blood.

King                                    Why, now you speak
    Like a good child and a true gentleman.
    That I am guiltless of your father's death,
    And am most sensibly in grief for it,
    It shall as level to your judgement pierce
    As day does to your eye.

Danes    [Within.] Let her come in.

Laertes    How now! What noise is that?

Re-enter OPHELIA.

    O, heat dry up my brains! Tears seven times salt
    Burn out the sense and virtue of mine eye!
    By heaven, thy madness shall be paid with weight
    Till our scale turn the beam. O rose of May,
    Dear maid, kind sister, sweet Ophelia!
    O heavens, is't possible a young maid's wits
    Should be as mortal as an old man's life?
    Nature is fine in love, and where 'tis fine
    It sends some precious instance of itself
    After the thing it loves.

Ophelia    [Sings.]    They bore him barefaced on the bier;
                    Hey non nonny, nonny, hey nonny;
                And in his grave rained many a tear - 

    Fare you well, my dove.

Laertes    Hadst thou thy wits and didst persuade revenge,
    It could not move thus.

Ophelia    You must sing `A-down a-down', and you `Call him a-down-a'. O how 
the wheel becomes it! It is the false steward that stole his master's daughter.

Laertes    This nothing's more than matter.

Ophelia    There's rosemary, that's for remembrance. Pray you, love, remember. 
And there is pansies, that's for thoughts.

Laertes    A document in madness -thoughts and remembrance fitted.

Ophelia    There's fennel for you, and columbines. There's rue for you; and 
here's some for me. We may call it herb of grace a Sundays. O, you must wear 
your rue with a difference. There's a daisy. I would give you some violets, 
but they withered all when my father died. They say a' made a good end.

    [Sings.]    For bonny sweet Robin is all my joy.

Laertes    Thought and affliction, passion, hell itself,
    She turns to favour and to prettiness.

Ophelia    [Sings.]    And will a' not come again?
                And will a' not come again?
                    No, no, he is dead,
                    Go to thy death-bed,
                He never will come again.

                His beard was as white as snow,
                All flaxen was his poll.
                    He is gone, he is gone,
                    And we cast away moan.
                God ha' mercy on his soul!

    And of all Christian souls, I pray God. God-buy-you.
[Exit.
Laertes    Do you see this, O God?

King    Laertes, I must commune with your grief,
    Or you deny me right. Go but apart,
    Make choice of whom your wisest friends you will,
    And they shall hear and judge 'twixt you and me.
    If by direct or by collateral hand
    They find us touched, we will our kingdom give,
    Our crown, our life, and all that we call ours,
    To you in satisfaction; but if not,
    Be you content to lend your patience to us,
    And we shall jointly labour with your soul
    To give it due content.

Laertes                                Let this be so.
    His means of death, his obscure funeral - 
    No trophy, sword, nor hatchment o'er his bones,
    No noble rite, nor formal ostentation - 
    Cry to be heard, as 'twere from heaven to earth,
    That I must call't in question.

King                                        So you shall;
    And where th' offence is, let the great axe fall.
    I pray you go with me.
[Exeunt.

+ + + + + +

Scene 6. Another Room in the Castle.

Enter HORATIO and a SERVANT.

Horatio    What are they that would speak with me?

Servant    Seafaring men, sir. They say they have letters for you.

Horatio    Let them come in.
[Exit SERVANT.
    I do not know from what part of the world
    I should be greeted, if not from Lord Hamlet.

Enter SAILORS.

1st Sailor    God bless you, sir.

Horatio    Let him bless thee too.

1st Sailor    A' shall, sir, an't please him. There's a letter for you, sir. 
It came from th' ambassador that was bound for England. If your name be 
Horatio, as I am I let to know it is.

Horatio    [Reads.]    "Horatio, when thou shalt have overlooked this, give 
these fellows some means to the king: they have letters for him. Ere we were 
two days old at sea, a pirate of very warlike appointment gave us chase. 
Finding ourselves too slow of sail, we put on a compelled valour, and in the 
grapple I boarded them. On the instant, they got clear of our ship, so I alone 
became their prisoner. They have dealt with me like thieves of mercy -but they 
knew what they did: I am to do a good turn for them. Let the king have the 
letters I have sent, and repair thou to me with as much speed as thou wouldst 
fly death. I have words to speak in thine ear will make thee dumb, yet are 
they much too light for the bore of the matter. These good fellows will bring 
thee where I am. Rosencrantz and Guildenstern hold their course for England; 
of them I have much to tell thee. Farewell.
                                He that thou knowest thine,
                                        HAMLET."

    Come, I will give you way for these your letters;
    And do't the speedier that you may direct me
    To him from whom you brought them.
[Exeunt.

+ + + + + +

Scene 7. Another Room in the Castle.

Enter KING and LAERTES.

King    Now must your conscience my acquittance seal,
    And you must put me in your heart for friend,
    Sith you have heard, and with a knowing ear,
    That he which hath your noble father slain
    Pursued my life.

Laertes                    It well appears. But tell me
    Why you proceeded not against these feats,
    So criminal and so capital in nature,
    As by your safety, wisdom, all things else,
    You mainly were stirred up.

King                                    O, for two special reasons,
    Which may to you, perhaps, seem much unsinewed,
    But yet to me they're strong. The queen his mother
    Lives almost by his looks; and for myself - 
    My virtue or my plague, be it either which - 
    She's so conjunctive to my life and soul
    That, as the star moves not but in his sphere,
    I could not but by her. The other motive,
    Why to a public count I might not go,
    Is the great love the general gender bear him;
    Who, dipping all his faults in their affection,
    Would, like the spring that turneth wood to stone,
    Convert his gyves to graces, so that my arrows,
    Too slightly timbered for so loud a wind,
    Would have reverted to my bow again,
    But not where I have aimed them.

Laertes    And so have I a noble father lost;
    A sister driven into desp'rate terms,
    Whose worth, if praises may go back again,
    Stood challenger on mount of all the age
    For her perfections. But my revenge will come.

King    Break not your sleeps for that. You must not think
    That we are made of stuff so flat and dull
    That we can let our beard be shook with danger,
    And think it pastime. You shortly shall hear more.
    I loved your father, and we love ourself;
    And that, I hope, will teach you to imagine - 

Enter a MESSENGER, with letters.

    How now, what news?

Messenger                            Letters, my lord, from Hamlet.
    These to your majesty; this to the queen.

King    From Hamlet? Who brought them?

Messenger    Sailors, my lord, they say; I saw them not.
    They were given me by Claudio. He received them
    Of him that brought them.

King                                    Laertes, you shall hear them.
    Leave us.
[Exit MESSENGER.

    [Reads.]    "High and mighty, you shall know I am set naked on your 
kingdom. Tomorrow shall I beg leave to see your kingly eyes, when I shall, 
first asking you pardon, thereunto recount the occasion of my sudden and more 
strange return.
                                        HAMLET."

    What should this mean? Are all the rest come back?
    Or is it some abuse, and no such thing?

Laertes    Know you the hand?

King                            'Tis Hamlet's character. `Naked'!
    And in a postscript here he says `alone'.
    Can you devise me?

Laertes    I am lost in it, my lord. But let him come;
    It warms the very sickness in my heart
    That I shall live and tell him to his teeth,
    `Thus diest thou.'

King                        If it be so, Laertes - 
    As how should it be so, how otherwise? - 
    Will you be ruled by me?

Laertes                                        Ay, my lord;
    So you will not o'errule me to a peace.

King    To thine own peace. If he be now returned,
    As checking at his voyage, and that he means
    No more to undertake it, I will work him
    To an exploit now ripe in my device,
    Under the which he shall not choose but fall;
    And for his death no wind of blame shall breathe,
    But even his mother shall uncharge the practice
    And call it accident.

Laertes                            My lord, I will be ruled;
    The rather if you could devise it so
    That I might be the organ.

King                                        It falls right.
    You have been talked of since your travel much,
    And that in Hamlet's hearing, for a quality
    Wherein they say you shine. Your sum of parts
    Did not together pluck such envy from him
    As did that one, and that in my regard,
    Of the unworthiest siege.

Laertes                                What part is that, my lord?

King    A very riband in the cap of youth,
    Yet needful too; for youth no less becomes
    The light and careless livery that it wears
    Than settled age his sables and his weeds,
    Importing health and graveness. Two months since
    Here was a gentleman of Normandy - 
    I've seen myself, and served against, the French,
    And they can well on horseback; but this gallant
    Had witchcraft in't. He grew unto his seat,
    And to such wondrous doing brought his horse
    As had he been incorpsed, and demi-natured
    With the brave beast. So far he topped my thought
    That I, in forgery of shapes and tricks,
    Come short of what he did.

Laertes                                        A Norman was't?

King    A Norman.

Laertes    Upon my life, Lamord.

King                                The very same.

Laertes    I know him well. He is the brooch indeed,
    And gem, of all the nation.

King    He made confession of you,
    And gave you such a masterly report
    For art and exercise in your defence,
    And for your rapier most especial,
    That he cried out 'twould be a sight indeed
    If one could match you. The scrimers of their nation
    He swore had neither motion, guard, nor eye,
    If you opposed them. Sir, this report of his
    Did Hamlet so envenom with his envy
    That he could nothing do but wish and beg
    Your sudden coming o'er, to play with you.
    Now, out of this - 

Laertes                        What out of this, my lord?

King    Laertes, was your father dear to you?
    Or are you like the painting of a sorrow,
    A face without a heart?

Laertes                                    Why ask you this?

King    Not that I think you did not love your father,
    But that I know love is begun by time,
    And that I see, in passages of proof,
    Time qualifies the spark and fire of it.
    There lives within the very flame of love
    A kind of wick or snuff that will abate it;
    And nothing is at a like goodness still,
    For goodness, growing to a plurisie,
    Dies in his own too much. That we would do,
    We should do when we would; for this `would' changes,
    And hath abatements and delays as many
    As there are tongues, are hands, are accidents,
    And then this `should' is like a spendthrift's sigh
    That hurts by easing. But, to the quick of th' ulcer:
    Hamlet comes back; what would you undertake
    To show yourself your father's son
    More than in words?

Laertes                        To cut his throat i'th' church.

King    No place indeed should murder sanctuarize;
    Revenge should have no bounds. But, good Laertes,
    Will you do this? -keep close within your chamber.
    Hamlet returned shall know you are come home.
    We'll put on those shall praise your excellence,
    And set a double varnish on the fame
    The Frenchman gave you; bring you, in fine, together
    And wager on your heads. He, being remiss,
    Most generous and free from all contriving,
    Will not peruse the foils; so that with ease,
    Or with a little shuffling, you may choose
    A sword unbated, and, in a pass of practice,
    Requite him for your father.

Laertes                                        I will do't;
    And for that purpose I'll anoint my sword.
    I bought an unction of a mountebank,
    So mortal that, but dip a knife in it,
    Where it draws blood no cataplasm so rare,
    Collected from all simples that have virtue
    Under the moon, can save the thing from death
    That is but scratched withal. I'll touch my point
    With this contagion, that, if I gall him slightly,
    It may be death.

King                        Let's further think of this;
    Weigh what convenience both of time and means
    May fit us to our shape. If this should fail,
    And that our drift look through our bad performance,
    'Twere better not assayed; therefore this project
    Should have a back or second that might hold
    If this did blast in proof. Soft, let me see.
    We'll make a solemn wager on your cunnings: - 
    I ha't!
    When in your motion you are hot and dry - 
    As make your bouts more violent to that end - 
    And that he calls for drink, I'll have prepared him
    A chalice for the nonce, whereon but sipping,
    If he by chance escape your venomed stuck,
    Our purpose may hold there. But stay, what noise?

Enter QUEEN.

Queen    One woe doth tread upon another's heel,
    So fast they follow. Your sister's drowned, Laertes

Laertes    Drowned! O, where?

Queen    There is a willow grows ascaunt the brook,
    That shows his hoar leaves in the glassy stream.
    Therewith fantastic garlands did she make
    Of crow-flowers, nettles, daisies, and long purples,
    That liberal shepherds give a grosser name,
    But our cold maids do dead men's fingers call them.
    There on the pendant boughs her crownet weeds
    Clamb'ring to hang, an envious sliver broke,
    When down her weedy trophies and herself
    Fell in the weeping brook. Her clothes spread wide,
    And mermaid-like a while they bore her up;
    Which time she chanted snatches of old lauds,
    As one incapable of her own distress,
    Or like a creature native and indued
    Unto that element. But long it could not be
    Till that her garments, heavy with their drink,
    Pulled the poor wretch from her melodious lay
    To muddy death.

Laertes                    Alas, then she is drowned.

Queen    Drowned, drowned.

Laertes    Too much of water hast thou, poor Ophelia,
    And therefore I forbid my tears. -But yet
    It is our trick; nature her custom holds,
    Let shame say what it will.
                            [Weeps.] When these are gone,
    The woman will be out. Adieu, my lord.
    I have a speech o' fire that fain would blaze,
    But that this folly douts it.
[Exit.
King                                        Let's follow, Gertrude.
    How much I had to do to calm his rage!
    Now fear I this will give it start again;
    Therefore let's follow.
[Exeunt.

+++ +++ +++ +++ +++ +++


ACT 5.

Scene 1. A Churchyard.

Enter TWO CLOWNS with spades and mattocks.

1st Clown    Is she to be buried in Christian burial that wilfully seeks her 
own salvation?

2nd Clown    I tell thee she is; therefore make her grave straight. The 
crowner hath sat on her, and finds it Christian burial.

1st Clown    How can that be, unless she drowned herself in her own defence?

2nd Clown    Why, 'tis found so.

1st Clown    It must be se offendendo, it cannot be else. For here lies the 
point: if I drown myself wittingly, it argues an act, and an act hath three 
branches -it is to act, to do, and to perform. Argal, she drowned herself 
wittingly.

2nd Clown    Nay, but hear you, Goodman Delver.

1st Clown    Give me leave. Here lies the water; good. Here stands the man; 
good. If the man go to this water and drown himself, it is, will he nill he, 
he goes -mark you that; but if the water come to him and drown him, he drowns 
not himself. Argal, he that is not guilty of his own death shortens not his 
own life.

2nd Clown    But is this law?

1st Clown    Ay, marry, is't; crowner's quest law.

2nd Clown    Will you ha' the truth an't? If this had not been a gentlewoman, 
she should have been buried out o' Christian burial.

1st Clown    Why, there thou sayst, and the more pity that great folk should 
have count'nance in this world to drown or hang themselves more than their 
even Christian. Come, my spade. There is no ancient gentlemen but gardeners, 
ditchers, and gravemakers: they hold up Adam's profession.

2nd Clown    Was he a gentleman?

1st Clown    A' was the first that ever bore arms.

2nd Clown    Why, he had none.

1st Clown    What, art a heathen? How dost thou understand the Scripture? The 
Scripture says Adam digged. Could he dig without arms? I'll put another 
question to thee. If thou answerest me not to the purpose, confess thyself - 

2nd Clown    Go to.

1st Clown    What is he that builds stronger than either the mason, the 
shipwright, or the carpenter?

2nd Clown    The gallows-maker; for that frame outlives a thousand tenants.

1st Clown    I like thy wit well, in good faith; the gallows does well. But 
how does it well? It does well to those that do ill. Now, thou dost ill to say 
the gallows is built stronger than the church; argal, the gallows may do well 
to thee. To't again, come.

2nd Clown    Who builds stronger than a mason, a shipwright, or a carpenter?

1st Clown    Ay, tell me that, and unyoke.

2nd Clown    Marry, now I can tell.

1st Clown    To't.

2nd Clown    Mass, I cannot tell.

Enter HAMLET and HORATIO afar off.

1st Clown    Cudgel thy brains no more about it, for your dull ass will not 
mend his pace with beating, and when you are asked this question next, say `a 
gravemaker'. The houses that he makes lasts till doomsday. Go, get thee to 
Yaughan; fetch me a stoup of liquor.
[Exit 2nd CLOWN.

1st Clown    [Digging and singing.]

                In youth, when I did love, did love,
                    Methought it was very sweet
                To contract-O the time for-a my behove,
                    O methought there-a was nothing-a meet.

Hamlet    Has this fellow no feeling of his business that a' sings at 
grave-making.

Horatio    Custom hath made it in him a property of easiness.

Hamlet    'Tis e'en so: the hand of little employment hath the daintier sense.

1st Clown    [Sings.]        But age with his stealing steps
                        Hath clawed me in his clutch,
                    And hath shipped me intil the land,
                        As if I had never been such.
[Throws up a skull.

Hamlet    That skull had a tongue in it, and could sing once. How the knave 
jowls it to th' ground, as if it were Cain's jawbone, that did the first 
murder. This might be the pate of a politician which this ass now o'eroffices; 
one that would circumvent God, might it not?

Horatio    It might, my lord.

Hamlet    Or of a courtier, which could say `Good morrow, sweet lord? How dost 
thou, good lord?' This might be my Lord Such-a-one that praised my Lord 
Such-a-one's horse when a' went to beg it, might it not?

Horatio    Ay, my lord.

Hamlet    Why, e'en so; and now my Lady Worm's, chapless, and knocked about 
the mazard with a sexton's spade. Here's fine revolution, an we had the trick 
to see't. Did these bones cost no more the breeding but to play at loggets 
with 'em? Mine ache to think on't.

1st Clown    [Sings.]    A pickaxe and a spade, a spade,
                    For and a shrouding-sheet,
                O, a pit of clay for to be made
                    For such a guest is meet.
[Throws up another skull.

Hamlet    There's another. Why may not that be the skull of a lawyer? Where be 
his quiddities now, his quillets, his cases, his tenures, and his tricks? Why 
does he suffer this rude knave now to knock him about the sconce with a dirty 
shovel, and will not tell him of his action of battery? Hum! This fellow might 
be in's time a great buyer of land, with his statutes, his recognizances, his 
fines, his double vouchers, his recoveries. Is this the fine of his fines and 
the recovery of his recoveries, to have his fine pate full of fine dirt? Will 
his vouchers vouch him no more of his purchases, and double ones too, than the 
length and breadth of a pair of indentures? The very conveyances of his lands 
will scarcely lie in this box; and must th' inheritor himself have no more, ha?

Horatio    Not a jot more, my lord.

Hamlet    Is not parchment made of sheepskins?

Horatio    Ay, my lord, and of calf-skins too.

Hamlet    They are sheep and calves which seek out assurance in that. I will 
speak to this fellow. Whose grave's this, sirrah?

1st Clown    Mine, sir.
    [Sings.]    O, a pit of clay for to be made
                    For such a guest is meet.

Hamlet    I think it be thine indeed, for thou liest in't.

1st Clown    You lie out on't, sir, and therefore 'tis not yours. For my part, 
I do not lie in't, yet it is mine.

Hamlet    Thou dost lie in't, to be in't and say it is thine. 'Tis for the 
dead, not for the quick; therefore thou liest.

1st Clown    'Tis a quick lie, sir; 'twill away again from me to you.

Hamlet    What man dost thou dig it for?

1st Clown    For no man, sir.

Hamlet    What woman, then?

1st Clown    For none neither.

Hamlet    Who is to be buried in't?

1st Clown    One that was a woman, sir; but, rest her soul, she's dead.

Hamlet    How absolute the knave is! We must speak by the card, or 
equivocation will undo us. By the Lord, Horatio, these three years I have 
taken note of it, the age is grown so picked that the toe of the peasant comes 
so near the heel of the courtier he galls his kibe. How long hast thou been a 
gravemaker?

1st Clown    Of all the days i'th' year I came to't that day that our last 
King Hamlet o'ercame Fortinbras.

Hamlet    How long is that since?

1st Clown    Cannot you tell that? Every fool can tell that. It was that very 
day that young Hamlet was born -he that is mad and sent into England.

Hamlet    Ay, marry, why was he sent into England?

1st Clown    Why, because he was mad. A' shall recover his wits there; or, if 
a' do not, 'tis no great matter there.

Hamlet    Why?

1st Clown    'Twill not be seen in him there. There the men are as mad as he.

Hamlet    How came he mad?

1st Clown    Very strangely, they say.

Hamlet    How `strangely'?

1st Clown    Faith, e'en with losing his wits.

Hamlet    Upon what ground?

1st Clown    Why, here in Denmark. I have been sexton here, man and boy, 
thirty years.

Hamlet    How long will a man lie i'th' earth ere he rot?

1st Clown    Faith, if a' be not rotten before a' die -as we have many pocky 
corpses nowadays that will scarce hold the laying in -a' will last you some 
eight year or nine year. A tanner will last you nine year.

Hamlet    Why he more than another?

1st Clown    Why, sir, his hide is so tanned with his trade that a' will keep 
out water a great while; and your water is a sore decayer of your whoreson 
dead body. Here's a skull now hath lain you i'th' earth three-and-twenty years.

Hamlet    Whose was it?

1st Clown    A whoreson mad fellow's it was. Whose do you think it was?

Hamlet    Nay, I know not.

1st Clown    A pestilence on him for a mad rogue! A' poured a flagon of 
Rhenish on my head once. This same skull, sir, was Yorick's skull, the king's 
jester.

Hamlet    This?

1st Clown    E'en that.

Hamlet    Let me see. [Takes the skull.] Alas, poor Yorick. I knew him, 
Horatio; a fellow of infinite jest, of most excellent fancy. He hath bore me 
on his back a thousand times; and now, how abhorred in my imagination it is! 
My gorge rises at it. Here hung those lips that I have kissed I know not how 
oft. Where be your gibes now, your gambols, your songs, your flashes of 
merriment that were wont to set the table on a roar? Not one now to mock your 
own grinning? -quite chap-fallen. Now get you to my lady's chamber and tell 
her, let her paint an inch thick, to this favour she must come. Make her laugh 
at that. Prithee, Horatio, tell me one thing.

Horatio    What's that, my lord?

Hamlet    Dost thou think Alexander looked o' this fashion i'th' earth?

Horatio    E'en so.

Hamlet    And smelt so? Pah!
[Puts down the skull.
Horatio    E'en so, my lord.

Hamlet    To what base uses we may return, Horatio! Why may not imagination 
trace the noble dust of Alexander till a' find it stopping a bung-hole?

Horatio    'Twere to consider too curiously to consider so.

Hamlet    No, faith, not a jot; but to follow him thither with modesty enough, 
and likelihood to lead it, as thus: Alexander died, Alexander was buried, 
Alexander returneth to dust, the dust is earth, of earth we make loam, and why 
of that loam, whereto he was converted, might they not stop a beer-barrel?

        Imperious Caesar, dead and turned to clay,
        Might stop a hole to keep the wind away.
        O, that that earth which kept the world in awe
        Should patch a wall t' expel the winter's flaw!

Enter a PRIEST, the KING, the QUEEN, LAERTES, and a coffin, with LORDS 
attending.

    But soft, but soft awhile! Here comes the king,
    The queen, the courtiers. Who is that they follow?
    And with such maimed rites? This doth betoken
    The corpse they follow did with desp'rate hand
    Fordo it own life. 'Twas of some estate.
    Couch we awhile, and mark.
[HAMLET and HORATIO stand aside.
Laertes    What ceremony else?

Hamlet    That is Laertes, a very noble youth. Mark.

Laertes    What ceremony else?

Priest    Her obsequies have been as far enlarged
    As we have warranty. Her death was doubtful,
    And but that great command o'ersways the order
    She should in ground unsanctified have lodged
    Till the last trumpet; for charitable prayers,
    Shards, flints, and pebbles should be thrown on her.
    Yet here she is allowed her virgin crants,
    Her maiden strewments, and the bringing home
    Of bell and burial.

Laertes    Must there no more be done?

Priest                                        No more be done.
    We should profane the service of the dead
    To sing sage requiem and such rest to her
    As to peace-parted souls.

Laertes                                    Lay her i'th' earth,
    And from her fair and unpolluted flesh
    May violets spring. I tell thee, churlish priest,
    A minist'ring angel shall my sister be
    When thou liest howling.

Hamlet                [Aside.]        What, the fair Ophelia!

Queen    [Scattering flowers.] Sweets to the sweet; farewell.
    I hoped thou shouldst have been my Hamlet's wife.
    I thought thy bride-bed to have decked, sweet maid,
    And not have strewed thy grave.

Laertes                                        O, treble woe
    Fall ten times treble on that cursed head
    Whose wicked deed thy most ingenious sense
    Deprived thee of! Hold off the earth a while,
    Till I have caught her once more in mine arms.
[Leaps into the grave.
    Now pile your dust upon the quick and dead,
    Till of this flat a mountain you have made
    T' o'ertop old Pelion, or the skyish head
    Of blue Olympus.

Hamlet    [Advancing.]            What is he whose grief
    Bears such an emphasis, whose phrase of sorrow
    Conjures the wand'ring stars, and makes them stand
    Like wonder-wounded hearers? This is I,
    Hamlet the Dane.
[Leaps into the grave.

Laertes                    The devil take thy soul!
[Grappling with HAMLET.
Hamlet    Thou pray'st not well.
    I prithee take thy fingers from my throat,
    For though I am not splenative and rash,
    Yet have I in me something dangerous,
    Which let thy wiseness fear. Hold off thy hand.

King    Pluck them asunder.

Queen    Hamlet, Hamlet!

Lords    Gentlemen! 

Horatio    Good my lord, be quiet.
[The LORDS part them, and they come out of the grave.

Hamlet    Why, I will fight with him upon this theme
    Until my eyelids will no longer wag.

Queen    O my son, what theme?

Hamlet    I loved Ophelia. Forty thousand brothers
    Could not, with all their quantity of love,
    Make up my sum. What wilt thou do for her?

King    O, he is mad, Laertes

Queen    For love of God, forbear him.

Hamlet    'Swounds, show me what thou'lt do.
    Woo't weep, woo't fight, woo't fast, woo't tear thyself,
    Woo't drink up eisel, eat a crocodile?
    I'll do't. Dost thou come here to whine?
    To outface me with leaping in her grave?
    Be buried quick with her, and so will I.
    And if thou prate of mountains, let them throw
    Millions of acres on us, till our ground,
    Singeing his pate against the burning zone,
    Make Ossa like a wart! Nay, an thou'lt mouth,
    I'll rant as well as thou.

Queen                                        This is mere madness,
    And thus a while the fit will work on him;
    Anon, as patient as the female dove
    When that her golden couplets are disclosed,
    His silence will sit drooping.

Hamlet                                        Hear you, sir.
    What is the reason that you use me thus?
    I loved you ever; but it is no matter.
    Let Hercules himself do what he may,
    The cat will mew, and dog will have his day.
[Exit.
King    I pray thee, good Horatio, wait upon him.
[Exit HORATIO.
    [To LAERTES.]
    Strengthen your patience in our last night's speech.
    We'll put the matter to the present push.
    Good Gertrude, set some watch over your son.
    This grave shall have a living monument.
    An hour of quiet shortly shall we see;
    Till then, in patience our proceeding be.
[Exeunt.

+ + + + + +

Scene 2. A Hall in the Castle.

Enter HAMLET and HORATIO.

Hamlet    So much for this, sir; now shall you see the other.
    You do remember all the circumstance?

Horatio    Remember it, my lord!

Hamlet    Sir, in my heart there was a kind of fighting
    That would not let me sleep. Methought I lay
    Worse than the mutines in the bilboes. Rashly - 
    And praised be rashness for it: let us know
    Our indiscretion sometimes serves us well
    When our deep plots do pall, and that should teach us
    There's a divinity that shapes our ends,
    Rough-hew them how we will.

Horatio                                That is most certain.

Hamlet    Up from my cabin,
    My sea-gown scarfed about me, in the dark
    Groped I to find out them; had my desire,
    Fingered their packet, and in fine withdrew
    To mine own room again; making so bold,
    My fears forgetting manners, to unseal
    Their grand commission; where I found, Horatio - 
    O royal knavery! -an exact command,
    Larded with many several sorts of reasons,
    Importing Denmark's health, and England's too,
    With ho! such bugs and goblins in my life,
    That, on the supervise, no leisure bated,
    No, not to stay the grinding of the axe,
    My head should be struck off.

Horatio                                        Is't possible?

Hamlet    Here's the commission, read it at more leisure.
    But wilt thou hear now how I did proceed?

Horatio    I beseech you.

Hamlet    Being thus benetted round with villainies - 
    Ere I could make a prologue to my brains,
    They had begun the play -I sat me down,
    Devised a new commission, wrote it fair.
    I once did hold it, as our statists do,
    A baseness to write fair, and laboured much
    How to forget that learning; but, sir, now
    It did me yeoman's service. Wilt thou know
    The effect of what I wrote?

Horatio                                        Ay, good my lord.

Hamlet    An earnest conjuration from the king,
    As England was his faithful tributary,
    As love between them like the palm should flourish,
    As peace should still her wheaten garland wear
    And stand a comma 'tween their amities,
    And many suchlike as'es of great charge,
    That, on the view and knowing of these contents,
    Without debatement further more or less,
    He should the bearers put to sudden death,
    Not shriving-time allowed.

Horatio                                    How was this sealed?

Hamlet    Why, even in that was heaven ordinant.
    I had my father's signet in my purse,
    Which was the model of that Danish seal;
    Folded the writ up in the form of th' other,
    Subscribed it, gave't th' impression, placed it safely,
    The changeling never known. Now, the next day
    Was our sea-fight; and what to this was sequent
    Thou know'st already.

Horatio    So Guildenstern and Rosencrantz go to't.

Hamlet    Why, man, they did make love to this employment;
    They are not near my conscience. Their defeat
    Does by their own insinuation grow.
    'Tis dangerous when the baser nature comes
    Between the pass and fell-incensed points
    Of mighty opposites.

Horatio                            Why, what a king is this!

Hamlet    Does it not, think thee, stand me now upon - 
    He that hath killed my king and whored my mother,
    Popped in between th' election and my hopes,
    Thrown out his angle for my proper life,
    And with such coz'nage -is't not perfect conscience
    To quit him with this arm? And is't not to be damned
    To let this canker of our nature come
    In further evil?

Horatio    It must be shortly known to him from England
    What is the issue of the business there.

Hamlet    It will be short. The interim is mine,
    And a man's life's no more than to say `one'.
    But I am very sorry, good Horatio,
    That to Laertes I forgot myself;
    For by the image of my cause I see
    The portraiture of his. I'll court his favours.
    But, sure, the bravery of his grief did put me
    Into a tow'ring passion.

Horatio                                Peace, who comes here?

Enter OSRIC.

Osric    Your lordship is right welcome back to Denmark.

Hamlet    I humbly thank you, sir.
    [Aside to HORATIO.] Dost know this water-fly?

Horatio    No, my good lord.

Hamlet    [Aside to HORATIO.] Thy state is the more gracious, for 'tis a vice 
to know him. He hath much land, and fertile. Let a beast be lord of beasts, 
and his crib shall stand at the king's mess. 'Tis a chough, but, as I say, 
spacious in the possession of dirt.

Osric    Sweet lord, if your lordship were at leisure I should impart a thing 
to you from his majesty.

Hamlet    I will receive it, sir, with all diligence of spirit. Put your 
bonnet to his right use; 'tis for the head.

Osric    I thank your lordship, it is very hot.

Hamlet    No, believe me, 'tis very cold, the wind is northerly.

Osric    It is indifferent cold, my lord, indeed.

Hamlet    But yet methinks it is very sultry and hot for my complexion.

Osric    Exceedingly, my lord; it is very sultry, as 'twere -I cannot tell 
how. But, my lord, his majesty bade me signify to you that he has laid a great 
wager on your head. Sir, this is the matter - 

Hamlet    I beseech you, remember.
[HAMLET moves him to put on his hat.

Osric    Nay, good my lord, for mine ease, in good faith. Sir, here is newly 
come to court Laertes; believe me, an absolute gentleman, full of most 
excellent differences, of very soft society, and great showing. Indeed, to 
speak feelingly of him, he is the card or calendar of gentry, for you shall 
find in him the continent of what part a gentleman would see.

Hamlet    Sir, his definement suffers no perdition in you, though, I know, to 
divide him inventorially would dozy th' arithmetic of memory, and yet but yaw 
neither in respect of his quick sail. But in the verity of extolment I take 
him to be a soul of great article, and his infusion of such dearth and 
rareness as, to make true diction of him, his semblable is his mirror, and who 
else would trace him, his umbrage, nothing more.

Osric    Your lordship speaks most infallibly of him.

Hamlet    The concernancy, sir? Why do we wrap the gentleman in our more rawer 
breath?

Osric    Sir?

Horatio    Is't not possible to understand in another tongue? You will to't, 
sir, really.

Hamlet    What imports the nomination of this gentleman?

Osric    Of Laertes?

Horatio    His purse is empty already; all's golden words are spent.

Hamlet    Of him, sir.

Osric    I know you are not ignorant - 

Hamlet    I would you did, sir; yet, in faith, if you did it would not much 
approve me. Well, sir?

Osric    You are not ignorant of what excellence Laertes is - 

Hamlet    I dare not confess that, lest I should compare with him in 
excellence; but to know a man well were to know himself.

Osric    I mean, sir, for his weapon. But in the imputation laid on him by 
them, in his meed he's unfellowed.

Hamlet    What's his weapon?

Osric    Rapier and dagger.

Hamlet    That's two of his weapons -but well.

Osric    The king, sir, hath wagered with him six Barbary horses, against the 
which he has imponed, as I take it, six French rapiers and poniards, with 
their assigns as girdle, hanger, and so: three of the carriages, in faith, are 
very dear to fancy, very responsive to the hilts, most delicate carriages, and 
of very liberal conceit.

Hamlet    What call you the carriages?

Horatio    I knew you must be edified by the margent ere you had done.

Osric    The carriages, sir, are the hangers.

Hamlet    The phrase would be more germane to the matter if we could carry a 
cannon by our sides. I would it might be hangers till then. But on: six 
Barbary horses against six French swords, their assigns, and three 
liberal-conceited carriages; that's the French bet against the Danish. Why is 
this `imponed', as you call it?

Osric    The king, sir, hath laid, sir, that in a dozen passes between 
yourself and him, he shall not exceed you three hits. He hath laid on twelve 
for nine, and it would come to immediate trial if your lordship would 
vouchsafe the answer.

Hamlet    How if I answer no?

Osric    I mean, my lord, the opposition of your person in trial.

Hamlet    Sir, I will walk here in the hall. If it please his majesty, it is 
the breathing time of day with me. Let the foils be brought, the gentleman 
willing, and the king hold his purpose, I will win for him an I can. If not, I 
will gain nothing but my shame, and the odd hits.

Osric    Shall I deliver you so?

Hamlet    To this effect, sir, after what flourish your nature will.

Osric    I commend my duty to your lordship.

Hamlet    Yours, yours.
[Exit OSRIC.
    He does well to commend it himself; there are no tongues else for's turn.

Horatio    This lapwing runs away with the shell on his head.

Hamlet    He did comply with his dug before a' sucked it. Thus has he -and 
many more of the same bevy that I know the drossy age dotes on -only got the 
tune of the time and outward habit of encounter, a kind of yeasty collection 
which carries them through and through the most fanned and winnowed opinions; 
and do but blow them to their trial, the bubbles are out.

Enter a LORD.

Lord    My lord, his majesty commended him to you by young Osric, who brings 
back to him that you attend him in the hall. He sends to know if your pleasure 
hold to play with Laertes, or that you will take longer time?

Hamlet    I am constant to my purposes; they follow the king's pleasure. If 
his fitness speaks, mine is ready; now or whensoever, provided I be so able as 
now.

Lord    The king and queen and all are coming down.

Hamlet    In happy time.

Lord    The queen desires you to use some gentle entertainment to Laertes 
before you fall to play.

Hamlet    She well instructs me.
[Exit LORD.
Horatio    You will lose this wager, my lord.

Hamlet    I do not think so. Since he went into France, I have been in 
continual practice; I shall win at the odds. But thou wouldst not think how 
ill all's here about my heart; but it is no matter.

Horatio    Nay, good my lord - 

Hamlet    It is but foolery; but it is such a kind of gain-giving as would 
perhaps trouble a woman.

Horatio    If your mind dislike anything, obey it. I will forestall their 
repair hither, and say you are not fit.

Hamlet    Not a whit; we defy augury. There is special providence in the fall 
of a sparrow. If it be now, 'tis not to come; if it be not to come, it will be 
now; if it be not now, yet it will come. The readiness is all. Since no man 
has aught of what he leaves, what is't to leave betimes? Let be.

Enter KING, QUEEN, LAERTES, LORDS, OSRIC, and ATTENDANTS with Trumpets, drums, 
and cushions; foils and gauntlets; a table, and flagons of wine on it.

King    Come, Hamlet, come, and take this hand from me.
[Puts LAERTES's hand into HAMLET's.

Hamlet    Give me your pardon, sir. I have done you wrong;
    But pardon't as you are a gentleman.
    This presence knows,
    And you must needs have heard, how I am punished
    With sore distraction. What I have done
    That might your nature, honour, and exception
    Roughly awake, I here proclaim was madness.
    Was't Hamlet wronged Laertes? Never Hamlet.
    If Hamlet from himself be ta'en away,
    And when he's not himself does wrong Laertes,
    Then Hamlet does it not, Hamlet denies it.
    Who does it, then? His madness? If't be so,
    Hamlet is of the faction that is wronged;
    His madness is poor Hamlet's enemy.
    Sir, in this audience,
    Let my disclaiming from a purposed evil
    Free me so far in your most generous thoughts
    That I have shot mine arrow o'er the house
    And hurt my brother.

Laertes                            I am satisfied in nature,
    Whose motive in this case should stir me most
    To my revenge. But in my terms of honour
    I stand aloof, and will no reconcilement
    Till by some elder masters of known honour
    I have a voice and precedent of peace
    To keep my name ungored. But till that time
    I do receive your offered love like love,
    And will not wrong it.

Hamlet                                    I embrace it freely,
    And will this brother's wager frankly play.
    Give us the foils. Come on.

Laertes                                        Come, one for me.

Hamlet    I'll be your foil, Laertes. In mine ignorance
    Your skill shall, like a star i'th' darkest night,
    Stick fiery off indeed.

Laertes                                You mock me, sir.

Hamlet    No, by this hand.

King    Give them the foils, young Osric. Cousin Hamlet,
    You know the wager?

Hamlet                            Very well, my lord;
    Your grace has laid the odds o'th' weaker side.

King    I do not fear it; I have seen you both.
    But since he's bettered, we have therefore odds.

Laertes    This is too heavy; let me see another.

Hamlet    This likes me well. These foils have all a length?

Osric    Ay, my good lord.
[They prepare to play.

King    Set me the stoups of wine upon that table.
    If Hamlet give the first or second hit,
    Or quit in answer of the third exchange,
    Let all the battlements their ordnance fire;
    The king shall drink to Hamlet's better breath,
    And in the cup an union shall he throw,
    Richer than that which four successive kings
    In Denmark's crown have worn. Give me the cups,
    And let the kettle to the trumpet speak,
    The trumpet to the cannoneer without,
    The cannons to the heavens, the heaven to earth,
    `Now the king drinks to Hamlet'. Come, begin;
    And you, the judges, bear a wary eye.

Hamlet    Come on, sir.

Laertes    Come, my lord.
[They play.
Hamlet    One.

Laertes    No.

Hamlet    Judgement.

Osric    A hit, a very palpable hit.

Laertes    Well, again.

King    Stay, give me drink. Hamlet, this pearl is thine;
    Here's to thy health.
[Drum and trumpets sound, and shot goes off.

                                        Give him the cup.

Hamlet    I'll play this bout first; set it by a while.
    Come.
[They play.
            Another hit; what say you?

Laertes    A touch, a touch, I do confess.

King    Our son shall win.

Queen                    He's fat and scant of breath.
    Here, Hamlet, take my napkin, rub thy brows.
    The queen carouses to thy fortune, Hamlet.

Hamlet    Good madam.

King    Gertrude, do not drink.

Queen    I will, my lord; I pray you pardon me.

King    [Aside.] It is the poisoned cup; it is too late.

Hamlet    I dare not drink yet, madam; by and by.

Queen    Come, let me wipe thy face.

Laertes    My lord, I'll hit him now.

King    I do not think't.

Laertes    [Aside.] And yet it is almost against my conscience.

Hamlet    Come for the third, Laertes; you do but dally.
    I pray you, pass with your best violence;
    I am sure you make a wanton of me.

Laertes    Say you so? Come on.
[They play.
Osric    Nothing neither way.

Laertes    Have at you now!
[LAERTES wounds HAMLET. Then, in scuffling, they change rapiers, and HAMLET 
wounds LAERTES.

King    Part them; they are incensed.

Hamlet    Nay, come again.
[The QUEEN falls.
Osric    Look to the queen there, ho!

Horatio    They bleed on both sides. [To HAMLET.] How is it, my lord?

Osric    How is't, Laertes?

Laertes    Why, as a woodcock to mine own springe, Osric;
    I am justly killed with mine own treachery.

Hamlet    How does the queen?

King                        She swoons to see them bleed.

Queen    No, no, the drink, the drink! O my dear Hamlet;
    The drink, the drink! I am poisoned.
[Dies.
Hamlet    O villainy! Ho! Let the door be locked.
    Treachery, seek it out!
[Exit OSRIC.
[LAERTES falls.
Laertes    It is here, Hamlet. Hamlet, thou art slain.
    No med'cine in the world can do thee good;
    In thee there is not half an hour of life.
    The treacherous instrument is in thy hand,
    Unbated and envenomed. The foul practice
    Hath turned itself on me; lo, here I lie,
    Never to rise again. Thy mother's poisoned.
    I can no more. The king, the king's to blame.

Hamlet    The point envenomed too! Then, venom, to thy work.
[Stabs the KING.
All    Treason! Treason!

King    O yet defend me, friends; I am but hurt.

Hamlet    Here, thou incestuous, murd'rous, damned Dane,
    Drink off this potion. -Is thy union here?
    Follow my mother.
[KING dies.
Laertes                        He is justly served;
    It is a poison tempered by himself.
    Exchange forgiveness with me, noble Hamlet.
    Mine and my father's death come not upon thee,
    Nor thine on me.
[Dies.
Hamlet    Heaven make thee free of it! I follow thee.
    I am dead, Horatio. Wretched queen, adieu!
    You that look pale, and tremble at this chance,
    That are but mutes or audience to this act,
    Had I but time -as this fell sergeant Death
    Is strict in his arrest -O, I could tell you - 
    But let it be. Horatio, I am dead;
    Thou livest; report me and my cause aright
    To the unsatisfied.

Horatio                            Never believe it.
    I am more an antique Roman than a Dane.
    Here's yet some liquor left.

Hamlet                                        As thou'rt a man,
    Give me the cup. Let go; by heaven I'll ha't.
    O God, Horatio, what a wounded name,
    Things standing thus unknown, shall live behind me!
    If thou didst ever hold me in thy heart,
    Absent thee from felicity a while,
    And in this harsh world draw thy breath in pain,
    To tell my story.
[March afar off, and shot within.

                            What warlike noise is this?

Osric    Young Fortinbras, with conquest come from Poland,
    T' the ambassadors of England gives
    This warlike volley.

Hamlet                                O, I die, Horatio.
    The potent poison quite o'ercrows my spirit.
    I cannot live to hear the news from England,
    But I do prophesy th' election lights
    On Fortinbras. He has my dying voice;
    So tell him, with th' occurrents, more and less,
    Which have solicited. The rest is silence.
[Dies.
Horatio    Now cracks a noble heart. Good night, sweet prince,
    And flights of angels sing thee to thy rest.
[March within.
    Why does the drum come hither?

Enter FORTINBRAS, and the ENGLISH AMBASSADORS, with DRUM, COLOURS, and 
ATTENDANTS.

Fortinbras    Where is this sight?

Horatio                                What is it you would see?
    If aught of woe or wonder, cease your search.

Fortinbras    This quarry cries on havoc. O proud death,
    What feast is toward in thine eternal cell
    That thou so many princes at a shot
    So bloodily hast struck?

1st Ambassador                                    The sight is dismal;
    And our affairs from England come too late.
    The ears are senseless that should give us hearing
    To tell him his commandment is fulfilled,
    That Rosencrantz and Guildenstern are dead.
    Where should we have our thanks?

Horatio                                        Not from his mouth,
    Had it th' ability of life to thank you;
    He never gave commandment for their death.
    But since, so jump upon this bloody question,
    You from the Polack wars, and you from England,
    Are here arrived, give order that these bodies
    High on a stage be placed to the view;
    And let me speak to th' yet unknowing world
    How these things came about. So shall you hear
    Of carnal, bloody, and unnatural acts,
    Of accidental judgements, casual slaughters,
    Of deaths put on by cunning and forced cause,
    And, in this upshot, purposes mistook
    Fall'n on th' inventors' heads. All this can I
    Truly deliver.

Fortinbras                    Let us haste to hear it,
    And call the noblest to the audience.
    For me, with sorrow I embrace my fortune;
    I have some rights of memory in this kingdom,
    Which now to claim my vantage doth invite me.

Horatio    Of that I shall have also cause to speak,
    And from his mouth whose voice will draw on more.
    But let this same be presently performed,
    Even while men's minds are wild, lest more mischance
    On plots and errors happen.

Fortinbras                                    Let four captains
    Bear Hamlet like a soldier to the stage,
    For he was likely, had he been put on,
    To have proved most royal; and for his passage,
    The soldiers' music and the rites of war
    Speak loudly for him.
    Take up the bodies. Such a sight as this
    Becomes the field, but here shows much amiss.
    Go, bid the soldiers shoot.

[Exeunt, marching, bearing off the dead bodies; after which a peal of ordnance 
is shot off.